BEING JULIA – Review by Martha Nochimson

Being Julia ( 2004) is a dazzling, fourteen year old romantic comedy whose time has come for a closer look. Based on a Somerset Maugham novella, Theatre, and set in 1938 London, at first glance it seems to be the essence of what has become offensive to progressive people. Successful British actress, Julia Lambert lives in a bubble of class privilege and audience adulation, to the exclusion of all else in society. But, don’t turn away. Being Julia offers an opportunity for feminists to mine unexpected gold and to examine our own prejudices and myopia.

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THE DEATH OF STALIN – Review by Martha P. Nochimson

You can’t get a better deflector for these dark days in the United States than a serio-comic farce set in the now defunct Soviet Union in 1953, as the mammoth country was given an opportunity to emerge from the rigid structure of Stalin’s tyranny. The Death of Stalin (2017) directed by political satirist Armando Ianucci is such film, a comic tour de force about the anarchy hidden within despotism.

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NYFF18 Review: THE FAVOURITE — Martha P. Nochimson

Have you ever wondered what sexual politics would be like in a matriarchy? In their rompin’ stompin’ film, The Favourite, shown as the opening night feature for this year’s New York Film Festival, director Yorgos Lanthimos and writers Deborah Davis and Tony McNamara, give you space to imaginatively explore that possibility.

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EYE ON MEDIA: Keeping Up With Hugh Grant — Profile by Martha Nochimson

On IMDb.com, a biographical note by Steve Shelokhonov, who has made his mark, such as it is, as the author of IMDb mini-biographies, describes Hugh Grant as an actor known for “playing characters projecting warmth and sincere happiness.” It’s not an important piece of scholarship, but it is widely read, due to its venue, and it is, unfortunately, typical of the kind of entertainment journalism that promotes reductive stereotypes of star reputations. It’s undated, but couldn’t have been written much after 2003, so it grows out of Grant’s early work. Even so, it is a distortion.

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