CAPERNAUM – Review by Nikki Baughan

Joining a host of recent works of both fact and fiction – such as Sudabeh Mortezai’s Joy and Gabrielle Brady’s Island Of The Hungry Ghosts – which highlight the refugee crisis engulfing the globe, Capernaum is a gut-punch reminder that the rise of isolationist politics is leaving swathes of human casualties in its wake. Devastating but utterly essential cinema

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HERE AND NOW – Review by Nikki Baughan

Writer Laura Eason’s screenplay effectively mines the anonymity and isolation of modern life, where people connect more easily through technology than face-to-face; we often see Vivienne surrounded by people but utterly, desperately alone. And if Fabien Constant’s direction sometimes over-eggs the pudding, the emotional truth of the story, and Parker’s nuanced, sympathetic performance, prevent it from straying too far into melodrama.

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ALL ABOUT NINA — Review by Nikki Baughan

An electric turn from Mary Elizabeth Winstead pulses through this striking feature debut from short filmmaker Eva Vives, which effectively shines a light on issues of honesty, identity and equality through the story of a stand-up comedian transplanted from cacophonous New York to the more introspective LA. While the character’s resulting journey of self-discovery may follow familiar lines, it is bracing nevertheless.

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SPOTLIGHT 9/18: Rungano Nyoni, Filmmaker

awfj spotlight black littleRungano Nyoni’s debut feature, I Am Not A Witch could be described as bold filmmaking. The story of an eight-year-old Zambian girl accused of witchcraft is both visceral drama and intelligent, powerful social commentary. Yet for writer/director Nyoni, it was simply a narrative she felt compelled to bring to an audience.

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