CLOSE – Review by Serena Seghedoni
In Lukas Dhont’s tender and tragic coming of age story, it’s best if you go into the movie knowing very little about it, letting each new development sink in until the film reaches its resolution, and you’re left with an experience that spoke to your very core. Suffice it to say that when the two central characters — best friend teenage boys — stop talking to each other, Close> immediately evolves into a completely different kind of movie
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