Maggie Gyllenhaal: from ‘difficult’ roles to director – Wendy Ide reports

With a string of plaudits for portraying complex characters, the actor is now focusing her ‘quiet fire’ behind the cameras with a stunning debut film. From her breakthrough role in Secretary, wearing stilettos, a pencil skirt and manacles and attempting to operate a stapler with her chin, to her directorial debut which digs into the messy truths about motherhood, Maggie Gyllenhaal has always been attracted to what she has described as “troubled women. The ones that are a real challenge. They really need me.”

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THE LOST DAUGHTER – Review by Wendy Ide

On a solo holiday to a Greek Island, literature professor Leda (Olivia Colman) finds herself both fascinated and repelled by the brash extended family that shares her local beach, encroaching on her space and hijacking her attention. When a child from the family goes missing, it is Leda, level-headed in the crisis, who finds her. But this act invites unbidden memories of her own decisions as a mother, choices that she wrestles with even now, nearly 20 years later.

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ABOUT WENDY IDE

Wendy Ide is a London-based film critic for both the consumer press (The Observer and The Guardian) and the trade press (Screen International). She writes features and interviews and she regularly hosts panels and live events. Wendy is a regular on the film festival circuit and has previously consulted on festival programming for the London Film Festival and Tallinn Black Nights Film Festival.

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