Uniqueness in the Age of Global Aesthetics – Katia Shannon (Guest Post)

Filmmakers are encouraged to develop a distinguishable aesthetic to pierce through the clutter. But it might be harder than ever to achieve. Where you are from and what your films should look like, are not interdependant anymore. That’s exciting, but the globalization of aesthetics is both a brilliant opportunity and a trap. The challenge lies in embracing the opportunity of a cross-cultural digital dialogue while recognizing what makes your world view unique and inimitable. The good news is, that it’s already around you, beckoning for attention.

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QuARTSantine: OXFF and other FFs and the PandemONIUMic – Melanie Addington (Guest Post)

It feels like March 12 was years ago now. That was the day the Governor of Mississippi limited any events that assembled 250 people or more. It was 6 days before our 2020 Oxford Film Festival was supposed to happen. And then it wasn’t happening anymore. That felt like the end of the world at the time. But since then, the film festival community has worked nonstop to rally as more than 170 film festivals scheduled for the spring and summer have had to cancel, postpone or go online. On March 27, eighty-one film festivals joined the Film Festival Alliance conference call to talk best practices and strategy moving forward.

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Amber McGinnis on INTERNATIONAL FALLS, Obstacles and Opportunities (Guest Post)

This is how we got through the loss of our premiere. This is how we got through last week. I’m not sure exactly how we get through the next one, but I feel like I’ve learned an important lesson: the real art behind the art we create is the human connection it makes. Whether that happens in a theater or online, it’s valuing and connecting to one another that’s most important.

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Filmmaker Emily Barclay Ford on THE PUSHBACK, Purpose and Pushing Back (Guest Post)

We raced to finish The Pushback in time for our SXSW delivery deadline and then the festival was canceled the same day. Although we are sad that we did not get to premiere at the festival and in Texas, where the documentary was shot, we feel like we have to make lemonade out of lemons and find the opportunity in this moment. Due to the shutdown of other productions, there will likely be more appetite for finished content in the coming months. And with social distancing, cancellation of group events, and potentially the inability to canvas, we’re thinking that a film like ours can be a useful tool to reach people through their living rooms at a safe distance.

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My Gen Z Perspective on Film Criticism – Riley Roberts comments (Guest Post)

I’m 18. I’ve been a YouTube pioneer, the youngest movie critic in history, sold a company, and interviewed hundreds of A-list stars from Dwayne Johnson to Selena Gomez – all before my first period. With high school graduation behind me, I’m looking at a bright future of…what? Closed doors?

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How I Watch Films As A Film Director – Katia Shannon comments (Guest Post)

A few years ago, during an undergraduate film studies class viewing of Michael Snow’s Wavelength, I was struggling to find anything positive about the 40-minute imperceptibly slow zoom we were watching unfold. After reconsidering the value of my student loan, and whether or not people would notice if I took a quick nap, something great happened. I dove into a contemplation of the nuances between entertainment, appreciation, and enjoyment.

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KARUPPU DURAI ​- Review by Mythily Ramachandran (Guest Post)

Karuppu Durai celebrates life and it’s little joys. An old man who awakes from a coma escapes his family’s intention to go ahead with ‘thalaikoothal’ (a traditional practice of involuntary euthanasia of an elderly person that was prevalent in south India). He meets a young orphan and begins a great adventure. KD won director Madhumita ‘Best Director’ award at UK Asian Film Festival, London where it premiered and received the ‘Jury award’ at Singapore South Asian Film Festival.

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EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage (Guest Post)

Overall, there’s not much a Breaking Bad fan won’t like here, even if it isn’t the most compelling story or brilliant film event of the year. At a minimum, it delivers the goods that the TV show did, and brings, if not a conclusion, then it at least fills in some interstitial frames for what happened to Jesse, or perhaps a certain Mr. Driscoll from Alaska.

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HOUSE OWNER – Review by Mythily Ramachandran

Indian actor-director Lakshmy Ramakrishnan stands apart with her stories pivoted around women characters who are complex and fully realized. Her fourth Tamil (south Indian language) film, House Owner is about a loving woman who lives with a spouse suffering from Alzheimer’s–a premise not much explored in south Indian cinema or even Indian cinema.

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