BIRTH/REBIRTH – Review by Justina Walford (Guest Post)

Birth/Rebirth shows the timely end of the female archetypes of Madonna and whore. That old trope is tossed to the curb while we move forward into a domain that overlaps traditional male archetypes but is also distinctly feminine. Dr. Caspar and Celie are the new female archetypes: the untethered seeker or scientist and the mother who will do anything for her child. And through these characters, we find an unnerving exploration of motherhood, life purpose, and our place as humans in a world of chaos and fear.

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KLONDIKE – Review by Justina Walford (Guest Post)

When we see expectant parents, we think of nurseries and colorful mobiles with the laughter of nervous parents emotionally in sync and awaiting their important day. But in the dark of Klondike’s opening scene, it doesn’t take long to realize that this typical expectant parents’ conversation is not what we expect. The couple has a hole in their house. The environment is bleak and brown. And their conversation is interrupted by a loud explosion. So now we expect a drama with action and blood. But no. Again, we are turned around by the dry, absurdist wit of writer and director Maryna Er Gorbach, and we see this couple struggle with the mundane as much as with the mind games of politics and war.

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MILLIE LIES LOW – Review by Justina Walford (Guest Post)

Millie Lies Low goes headlong into the mistakes people make. Millie is on her way to New York for a prestigious internship, but she has a panic attack and gets stuck in her hometown. Instead of telling her friends and family that she missed her flight and can’t afford another one, she decides to fake her trip to New York on social media. Her life devolves from there, with each secretive misstep leading to worse and worse consequences. Big mistakes leading to bigger mistakes.

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BLUE JEAN – Review by Justina Walford (Guest Post)

Dramas set in the 80s walk a tightrope, often forcing us into a sense of nostalgia, romanticizing the decade even though it was far from inclusive. LGBTQ coming-out films also walk a tightrope, usually stuck in a world of early LGBTQ challenges without showing a character existing beyond the struggle of identity. Blue Jean is both of these genres. Yet, the combination defies the challenges and comes off beautifully as a sincere dialogue and, in some ways, a sincere amends and admiration among generations.

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CLOSE TO VERMEER – Review by Justina Walford (Guest Post)

Suzanne Raes’ documentary,”Closer to Vermeer, delves into the enigmatic world of Johannes Vermeer, the celebrated painter behind masterpieces like “Girl with a Pearl Earring.” Little is truly known about the artist himself, and that mystery has been studied and debated by scholars as long as his art has been known. This documentary’s essential story is not about Vermeer as much as Vermeer is the framework to tell an even more riveting tale. As the camera pans so intimately close to Vermeer’s paint and canvas, we see the gloves and scopes of study, gently poring over every dab of paint.

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EMPLOYEE OF THE MONTH (L’employée du mois) – Review by Justina Walford (Guest Post)

Véronique Jadin’s Employee Of The Month (L’employée du mois) is an office comedy with a bloody twist seen through the eyes of long-suffering EcoClean office manager Ines and the new intern Melody. The film starts with a pan of the EcoClean office: a generic set up of old desks, shelves of product perfectly lined up, and all the clues of an organized office manager keeping it spotless and character-less except for a fish – a solitary, silent fish.

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ANNA NICOLE SMITH: YOU DONT KNOW ME – Review by Justina Walford (Guest Post)

When we look at all the young women who rise quickly to fame with their beauty and sensuality, too many have stories that end tragically. Ursula Macfarlane’s documentary shows us the cost of fame but also reveals the humanity of a woman who wielded so much power and yet struggled for her own empowerment. Vicky Lynn had many stories. Anna Nicole had many stories. Which one was the real woman?

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LOVE BETWEEN FAIRY AND DEVIL – Review by Dana Ziyasheva (Guest Post)

The Chinese show Love Between Fairy and Devil is such a carefully choreographed ballet of emotions and thoughts on the nature of love, power, and society — hammering home its points with an impossibly attractive cast and a highly addictive soundtrack — that I, a bone-weary middle-aged woman with grown-up kids, found myself pledging all my time (and the entirety of my soul) to it.

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AWFJ Exclusive Clip: SURVIVING SEX TRAFFICKING

The documentary Surviving Sex Trafficking is sobering personal account from diretor/producer Sadhvi Siddhali Shree of her abuse at age six, unburied and brought up through meditation. Supported by actor Alyssa Milano, Jeannie Mai of The Real, and musician Jay Jenkins as executive producers, the production team travels to Houston, Hungary, Miami, Las Vegas, New Jersey, India, the Philippines, and Ethiopia, interviewing trafficking survivors and focusing specifically on three women with harrowing stories of their abuse. This is a crucially important documentary that reveals the ongoing abuse and exploitation of vulnerable girls and young women around the globe.

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CINDERELLA – Review by Katie M. (Guest Post)

Because Cinderella is likely to be seen by legions of youngsters around the globe, we wondered how kiddos would interpret this latest screen adaptation of the classic fairy tale. We asked Betsy Bozdech McNab’s daughter, Katie, a savvy tweenager who knows a lot of fairy tales and sees a lot of movies, to review Kay Cannon’s musical live action production. Here’s Katie’s take on the show:

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