WIDOWS – Review by Roxana Hadadi

Widows is about revenge and crime, yes, but primarily, it’s about power—who has it, who gets to wield it, who is protected by it, who is kept away from it. This was a concept that director Steve McQueen explored with 12 Years a Slave and that writer Gillian Flynn mines constantly in her novels (what is Gone Girl about if not a struggle for dominance in a modern marriage?), and together they create a portrait of complex power struggles, of lines of dominance criss crossing each other, of a fragile web that can unravel if even one strand is snapped.

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THE HATE U GIVE – Review by Roxana Hadadi

The Hate U Give is an important film and a weighty film, one that raises questions about what we as a society will accept — from our community members, from our leaders, from the politicians who are supposed to represent us, from the police who are supposed to protect us. The movie, based on the novel by Angie Thomas, considers a tragedy that feels simultaneously ripped from the headlines and quite commonplace: the killing of an unarmed black teenager by a white police officer.

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THE WEEK IN WOMEN: SXSW Salutes Women, Harvard Honors Kunis, DGA Awards and Streep Joins ‘LIES’ Cast — Brandy McDonnell reports

Texas’ South By Southwest Festival (March 9-18) showcases several promising projects by women directors including three femme-helmed features, one documentary

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THE WEEK IN WOMEN: Oprah Commands Golden Globes, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI get top billing, while THE SHAPE OF WATER dominates Critics Choice and AWFJ EDA Awards — Brandy McDonnell reports

Oprah Winfrey drew repeated ovations from the Hollywood honchos assembled for the Golden Globes, as issued a warning — not

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