DON’T LOOK UP – Review by Lauren Anderson

Don’t Look Up is a whirlwind of a movie. The Adam McKay film follows Kate Dibiasky and Dr. Mindy, two astronomers, who find themselves at the center a media frenzy while they’re attempting to warn mankind of a massive comet that’s hurtling towards Earth. While the narrative of this movie is intended to be humorous, it’s also eerily reflective of the way humanity could react if something like this were actually to happen.

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DON’T LOOK UP – Review by Martha K Baker

The title is ironic. The idea is to look up. Up there, a comet is coming this way, and it will destroy the Earth and its denizens. That’s the prediction of two astronomers, Dr. Randall Mindy and his colleague, Kate Dibiasky, still earning her doctorate (an academic point made clear in every introduction). They are Spartans at Michigan State University. Read: low-level. Read: Midwest. Which is why the President herself decrees: “Let’s get some Ivy Leaguers in here.”

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HUSTLERS – Review by MaryAnn Johanson

It’s GoodFellas, except they’re gals. This based-on-fact drama about New York City strippers who conned their clients is wonderfully redolent of Scorsese’s mafia masterpiece in both style and substance: the seductiveness of easy money, the giddiness of getting away with a perfect crime. It’s a cinematic bonbon of delinquent deliciousness.

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VICE – Review by Diane Carson

Vice presents a wild, irreverent ride through Dick Cheney’s life. Writer/director Adam McKay tackles Dick Cheney’s public and private life head on in Vice, a title with provocative insinuations far beyond Cheney’s years 2001 to 2009 as President’s George W. Bush’s Vice President. After introductory, amusing text on screen, the story proper begins in Caspar, Wyoming, in 1963 with a speedy, loud opening scene of Dick stopped for drunk driving.

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SPOTLIGHT May, 2015: Shira Piven, Director, WELCOME TO ME

shirapiven1Shira Piven, whose second feature, Welcome to Me, opens on May 1. The femme-centric dramedy, starring Kristen Wiig, is about a mentally unstable woman who uses her millions in lottery winnings to buy her own TV talk show. The film premiered at the Toronto International Film Festival, with Variety calling it “startlingly inspired” and “breezily bonkers.”

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