Female Film Critics 24/375
Celine Sciamma’s sensuous 18th century romantic drama revolves around two women reacting to the pressures society places on them insofar as perceiving marriage as a form of security in exchange for lifelong servitude.
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Writer/director Céline Sciamma’s Portrait of a Lady on Fire is a haunting examination of love and the restrictions imposed on women by eighteenth-century French society. Artist Marianne is commissioned to paint a portrait of Héloïse, a work solicited by her potential husband in Milan for his approval and acceptance of Héloïse as his wife.
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Portrait of a Lady on Fire (Portrait De La Jeune Fille En Feu) is a stately-paced slow-burn of a film about repression, love, and the secret life of women in the 18th century, and beyond. Writer/Director Céline Sciamma sets her film in 1770 in France. Painter Marianne has been summoned to an isolated house on a rugged island in Brittany and commissioned to paint a portrait of a lovely young woman named Heloise. The job is straightforward. The circumstances are not.
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A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.
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If there is such a genre as ‘Mystical Femme,’ and there really should be, French writer/director Céline Sciamma’s Portrait of a Lady on Fire belongs in it, placed at the top. Winner of the Queer Palm and Best Screenplay at the 2019 Cannes Film Festival, the film features magnetic lead actresses whose chemistry with each other is off the charts.
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Portrait of a Lady on Fire, winner of the best screenplay award at this year’s Cannes Film Festival, is an unforgettable love story that unspools at a slow burn until the final act, which blazes with an incandescence. The women don’t end up together — no surprise, given the times, and this outcome is made clear by the film’s opening scene. But through artistic images of one another — those they recorded, what they revealed — they keep alive a precious, private memory forever burned into their hearts and minds.
Read moreIf you enjoy femme-centric cinema with a strong female gaze, go see filmmaker Celine Sciamma’s sublime period drama, Portrait of a Lady on Fire, set on an isolated island in 1760’s Brittany. Sciamma examines the relationship between a reluctant bride-to-be (Heloise/Adele Haenel) and the artist (Marianne/Noemie Merlant) secretly commissioned by her mother (La Comtesse/Valeria Golino) to paint her wedding portrait. While posing as a hired companion, Marianne surreptitiously observes every detail of her subject on their daily walks then paints Heloise from memory in the evenings.
Read moreThe manner with which acclaimed French filmmaker Céline Sciamma tackles the notion of the female gaze in Portrait of a Lady on Fire transcends mere cleverness and artistry; she elevates it to something almost mystical.
Read moreThe New York Film Festival is the perfect venue for women to really show the world what they’re artistically capable of. This year was no exception. With performances from Annette Bening, Kristen Stewart, Laura Dern and Cynthia Nixon to name a few, here is a list of what I believe are some of the best of the best of women at NYFF54.
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