PILLION – Review by Kat Hughes

Directed by first-time filmmaker Harry Lighton, Pillion is a wonderfully sensual, sensitive, and humorous jaunt through the world of dominants and submissives. It is a topic that was tackled in the Nicole Kidman starring Babygirl, but Pillion presents a more interesting and sexy portrayal of its overhyped (and rather vanilla) counterpart. The dynamic between Alexander Skarsgård and Harry Melling is electrically charged, and right from the first time they meet, doused in erotic frisson.

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ERIC LARUE – Review by Betsy Pickle

It’s no surprise that actor Michael Shannon’s feature-directing debut is filled with exceptional performances. Shannon is one of the most striking actors of our time, and the cast of Eric LaRue collectively elicits goosebumps throughout the length of the film. Eric LaRue is about the effect on the secondary victims of a small-town school shooting – not the three boys who were murdered but their mothers, and especially on the mother of the shooter, Janice LaRue (Judy Greer). Months after the event, Janice is a shell of a human, barely communicating with her husband, Ron (Alexander Skarsgard), and avoiding contact with other people as best she can.

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LEE – Review by Susan Granger

Kate Winslet devoted nearly a decade to bringing her passion project Lee, the story of Lee Miller, a hedonistic high-fashion-model-turned-war correspondent, to the screen – for which she received a Golden Globe nomination. Using the framing device of being ‘interviewed,’ Miller’s story begins in 1937 in the south of France, where – realizing that her modelling days were numbered – she turned to photography, became the audacious, bare-breasted muse of Dada artist Man Ray and eventually married British Surrealist Roland Penrose (Alexander Skarsgard), who recruited artists for a ‘camouflage’ unit.

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LEE – Review by Diane Carson

Lee profiles the legendary war photographer Lee Miller. Before plunging into Lee Miller’s formidable WWII photography, director Ellen Kuras begins Lee with Miller’s Vogue and Vanity Fair modeling career amidst her luxurious love life in Paris and London, lending this film poignant gravity. Based on Miller’s actual, bifurcated career, Lee’s contrasting worlds before and during WWII heighten the cinematic experience, especially given Lee’s conscientious witnessing of atrocities.

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MOVIE OF THE WEEK September 27, 2024: LEE

From the dark teenage drama of Heavenly Creatures to the gritty urban gloom of Mare of Easttown, Kate Winslet is no stranger to playing strong, complicated women. She continues that streak here, clearly relishing the opportunity to tell the fascinating story of famed model/photographer/war correspondent Lee Miller in Ellen Kuras’ engrossing biopic Lee. As it follows Miller through the battlefields of World War II, the film makes it clear exactly why Miller and Winslet deserve to be known as legends.

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LEE – Review by Leslie Combemale

“There’s so much life in a person’s eyes, right up until the moment that there isn’t”, says Lee Miller in Ellen Kuras’s new bio-pic Lee. A historic war photographer and iconoclastic personality, Miller captured both sides of that truth with her camera, and her work is a lasting testament to her fearlessness and artistry. She captured some of the most indelible images from the decade that spanned before, during, and after World War II, including uniquely expressing the challenges for women in the war, as well as the tragedy and horror of the holocaust. Award-winning cinematographer Kuras makes her narrative directorial debut with Lee, which tells the story of the decade roughly between 1935 and 1945 from Lee Miller’s perspective.

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LEE – Review by Loren King

For those who don’t know much about the fascinating life of Lee Miller, Lee will immediately send you in search for books, documentaries and archives. That alone is a strong endorsement for any biopic. Anchored by a gritty performance by Kate Winslet as the model turned photographer whose work as a war correspondent during World War II yielded some of the first and still chilling images from the Nazi death camps, Lee depicts a life too big for a single film. Still, director Ellen Kuras and Winslet capture Miller’s artistic curiosity and core defiance that made her a woman far ahead of her time.

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THE NORTHMAN – Review by T.J. Callahan

This film is barbaric, black and white and bloody. It’s vicious Viking vengeance that very well could make you vomit. The Northman is brutal on many levels with one being it’s 2 hour and 16 minute run time. There’s pillaging, conjuring, screaming, grunting and howling like wolves. The Northman is a turn of the 10th century soap opera that was expertly and artfully filmed for the big screen and will have fans of the medieval genre on the edge of their seats cheering. As for me, when the heads rolled, so did my eyes.

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THE NORTHMAN – Review by Susan Granger

If you like brawling, bloody brutality, head for The Northman, Robert Eggers’ intense Nordic nightmare. Eggers’ previous films – The Witch (2015) and The Lighthouse (2019) – blurred the boundary between fantasy and reality, so it’s not surprising that this Viking revenge saga follows suit. The dialogue is banal – apparently, Vikings weren’t very articulate – so Eggers and his DP Jarin Blaschke concentrate on violent, medieval mayhem.

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