Alexandra Heller-Nicholas’ Rape-Revenge Films: A Critical Study – Book Review by Marietta Steinhart (Guest Post)

To mark the ten-year anniversary of her compelling book Rape-Revenge Films: A Critical Study, Australian film critic Alexandra Heller-Nicholas (who is a member of AWFJ) has released a seriously revised, second edition, including an exciting new chapter on women-directed rape-revenge films before and after the #MeToo Era. A lot has happened since 2011 and if the author sounds angry, she says, it’s because she is.

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Women’s History Month Watch List: REAL REEL WOMEN

Throughout cinema history, films by and about women have enthralled audiences, accrued awards and honors worldwide and scored at the box office while influencing out social social mores and enriching our cultural conversation. Although some Hollywood honchos and haters assert that female-centric movies are less likely to be commercial successes, our list proves them wrong. Movies that tell women’s stories have legs. Released to celebrate Women’s History Month, AWFJ’s REAL REEL WOMEN List is an annotated roster of 50 fascinating real women whose remarkable true stories have been told in narrative features since the earliest days of moviemaking.

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AWFJ’s Take on TIFF19 – An Index to AWFJ Members’ Coverage

With the Alliance of Women Film Journalists’ special focus on women’s representation in the industry and at highlighted industry events, we’re keen on presenting AWFJ members’ coverage of TIFF19. Seventeen AWFJ members were credentialed by TIFF this year. And, kudos to Alexandra Heller-Nicholas, Loren King, Sarah Knight Adamson, Julide Tanriverdi, Brandy McDonnell and Lauren Bradshaw for their TIFF-related contributions to AWFJ.org. Read their brilliant commentaries…

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AWFJ ROUND TABLE: Defining Feminist Film Criticism

The term ‘feminism’ and the descriptor ‘feminist film critic’ are in frequent use these days, as the women in film movement stirs debate and demands change in the the movie industry. Women film critics are, like women working in all aspects of the industry, marginalized not only by disparity in employment opportunities, but also in the overall attitude — a lack of seriousness — with which our reviews and commentaries are evaluated. Reputable reports support this assertion with stats, and women film critics feel it in our guts 24365

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Melbourne International Film Festival 2017’s PIONEERING WOMEN Program — Jennifer Merin reports

The success of Jennifer Kent’s The Babadook (2014) focused international attention on Australian women filmmakers. Australia’s film feminism is being

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