Alfonso Cuaron on Mother Figures in Life and in ROMA – Sarah Knight Adamson Interviews

In capturing the monotonous tasks carried out daily by his beloved housekeeper/caregiver, Alfonso Cuaron invites us to witness quiet colorless moments that seen in Roma to shine as brightly as a rainbow. Roma, is nothing short of an artful masterpiece.

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MOVIE OF THE WEEK January 25, 2019: ROMA

motw logo 1-35Winner of the AWFJ’s 2018 EDA awards for Best Film and Best Non-English Language Film (as well as Best Director, Best Cinematography, and Best Editing), Alfonso Cuaron’s “Roma” is a lushly filmed, beautifully specific slice-of-life drama that presents its central female characters with love and compassion. The story centers on Cleo (newcomer Yalitza Aparicio), the cook/maid/nanny to an upper middle class family living in Mexico City’s Roma district in the early 1970s.

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ROMA – Review by Brandy McDonnell

“Roma” features some of the most beautiful, bizarre, heartbreaking and terrifying moments in recent cinematic memory, and every indelible scene manages to sneak up and later haunt you because of the deceptively, elegantly simple storytelling. Directed, written, produced, shot and edited by two-time Oscar winner Alfonso Cuaron (“Gravity,” “Harry Potter and the Prisoner of Azkaban”), the semi-autobiographical film is set in 1970s Mexico.

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ROMA – Review by Diane Carson

Director Alfonso Cuarón has an impressive filmography, including Y Tu Mamá También, Children of Men, and Gravity, all masterfully executed. However, Cuarón’s autobiographical new work Roma is his masterpiece for its authoritative presentation of his upper-middle class Mexican upbringing and, especially, his enduring affection for his nanny Libo, called Cleo in the film, from whose perspective his family’s life unfolds.

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