THE REQUIN – Review by Susan Granger

Occasionally – thankfully, not often – survival stories are so lame and ridiculous that one wonders why and how they were ever green-lit for financing and production. The Requin is one of those. The saga begins as Jaelyn (Alicia Silverstone) and Kyle (James Tupper) arrive for a much needed getaway at a luxurious tropical resort in Vietnam, even if it is ‘off-season.’ Although Vietnamese-American writer/director Le-Van Keit works with cinematographer Matt S. Bell to utilize every scenic advantage of their supposedly exotic location, the result – filmed mostly at Orlando Studios in Florida – is disappointingly formulaic, and the cheesy shark CGI reeks of carnivorous cost-cutting.

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THE LODGE – Review by Rachel West

Most of the horror in The Lodge is rooted in two elements: faith and grief. Together these themes permeate everything within the film in a horror-drama reminiscent of Ari Aster’s work and the directing duo’s previous outing, Goodnight Mommy. The film, which premiered at Sundance, moves at a glacial pace for the first hour before ratcheting up the intensity. Even at its peak however, this is still a slow burn, playing psychological games on its subjects and viewers.

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