THE GREEN KNIGHT – Review by Martha K Baker

The hero is King Arthur’s nephew, and the tale defines the chivalric romance with themes of honor and humility. The film is dark. Very, very dark. Also turgid and confusing. The Green Knight issues a challenge to all viewers: if you can sit through this thing without longing to have your own head lopped off, you deserve to be knighted. But don’t be greedy: once a knight’s enough.

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THE GREEN KNIGHT – Review by Susan Granger

Years ago, as an English major, I had to read a rather long, boring 14th century epic poem from the Arthurian legend called Sir Gawain and the Green Knight. Now, visual storyteller David Lowery has revitalized and enhanced this chivalric romance. On the road to meet his destiny, Gawain must face a series of fearsome trials, tribulations and temptations as he gradually learns the true nature of chivalry.

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MOVIE OF THE WEEK October 9, 2020: THE GLORIAS

Modern feminism owes a lot to Gloria Steinem, and director Julie Taymor revels in explaining why in The Glorias, her creative biopic about a woman who has fought tirelessly throughout her life for the rights of all women. Taking the title of Steinem’s autobiography — My Life on the Road — literally, Taymor centers her story on a bus on which primary passengers are Steinem at different ages: child (Ryan Kiera Armstrong), young teen (Lulu Wilson), young woman (Alicia Vikander), and mature activist (Julianne Moore).

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THE GLORIAS – Review by Loren King

Even if you’ve traveled through much of Gloria Steinem’s life already — whether by her book My Life on the Road; the play Gloria: A Life written by Emily Mann and directed by Diane Paulus; or the recent Hulu series Mrs. America —Julie Taymor’s inventive, sometimes fantastical, movie The Glorias is a worthwhile trip. Written by Taymor and playwright Sarah Ruhl, much of the material is familiar but no less eye-opening as Taymor follows the feminist trailblazer at different stages of her life, when she is played by four different actresses.

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THE GLORIAS – Review by Susan Wloszczyna

The good news about The Glorias is that Julie Taymor tries to avoid biopic clichés as she employs four actresses at different ages to tell the story of feminist icon Gloria Steinem’s life. But while indulging in her usual visual panache on screen, the director is almost too ambitious in trying to bring this notable legend to life.

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Gloria Steinem on THE GLORIAS, Ruth Bader Ginsburg and Women’s Right’s Now – Gill Pringle interviews

Gloria Steinem was still numb with disbelief when we spoke just hours after the death of her old friend, Ruth Bader Ginsberg. The purpose of our chat was for a very different and joyous reason – to talk about Julie Taymor’s adaptation of Steinem’s memoir, My Life on the Road, into a dazzling feature film starring Julianne Moore and Alicia Vikander. “I was so moved that they wanted to do it,” she says of the illustrious actors playing the activist at various ages in The Glorias.

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Julie Taymor on THE GLORIAS and Female Collectivity – Leslie Combemale interviews

Julie Taymor has been making films in Hollywood since way before the recent uptick of (finally) hiring female filmmakers, so she knows a thing or two about fighting, or perhaps better to say, subverting the patriarchy. Her new film The Glorias takes audiences through the life (so far) of political activist, writer, and feminist organizer Gloria Steinem. Given the p*ssy-grabbing hot mess America has become in the last 4 years, the film is landing right on time.

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THE GLORIAS – Review by Martha K Baker

Twin a feminist icon with a theater icon, and you produce one remarkable film. Director Julie Taymor (The Lion King on stage and screen) based her screenplay for The Glorias on Gloria Steinem’s 2015 memoir, My Life on the Road. As a theatrical director, she knows the power of metaphor, of design, of production.

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ANTHROPOCENE: THE HUMAN EPOCH – Review by Susan Wloszczyna

Sometimes, Anthropocene: The Human Epoch feels like a loftier, artier and much more sobering Transformers sequel, what with its fixation on the monstrously huge machines that chomp into the planet and unsettle our ailing ecosystem for the sake of commerce.

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ANTHROPOCENE: THE HUMAN EPOCH – Review by Sheila Roberts

Anthropocene: The Human Epoch is an epic cinematic journey that’s equal parts mesmerizing, disturbing and timely. While our success as a species has tipped the planet’s systems outside their natural limits, the filmmakers express optimism that our tenacity and ingenuity that helped us thrive can also lead to innovative solutions that will pull these systems back to a safe place for all life on earth.

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