MINIONS & MONSTERS – Review by Valerie Kalfrin

Minions & Monsters is adorably meta, a loving salute not just to movies but to filmmakers, artists, and audiences. It’s easily the best of the three Minions films, packed with affectionate and funny nods to silent and Golden Age movies, from Georges Méliès’s A Trip to the Moon to Citizen Kane. Illumination Entertainment’s typical opener of three greeting Minions becomes black-and-white rubber-hose-style animation this go-round as Minions & Monsters begins, teasing the references in store. These immortal imps soon gallop behind Eadweard Muybridge’s horse in motion and wait for the Lumière brothers’ train as a modern-day tour guide schools children and adults on their place in Hollywood history.

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EVERYTHING’S GOING TO BE GREAT (Tribeca 2025) – Review by Beth Accomando

Everything’s Going to Be Great is a sweet film that hits a lot of familiar notes about a theater kid in a small town and a father who dreams big at the expense of his family. Everything’s Going To Be Great is about family, and about how families navigate ever changing dynamics that pull them apart and then bring them back together. There are no bold strokes of originality here or surprises, but there is genuine comfort in a film about recognizing each other’s weaknesses and strengths, and learning to appreciate each other despite ourflaws.

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ANOTHER SIMPLE FAVOR – Review by Valerie Kalfrin

Another Simple Favor is more a travelogue for Italy’s stunning island of Capri than a satisfying mystery, with more twists to track than the island’s jackknifing roads. The film reunites Anna Kendrick and Blake Lively of 2018’s comedic thriller A Simple Favor, where mommy vlogger Stephanie (Kendrick) tracked down the disappearance of her friend, upper-class mom Emily (Lively). The script leans heavily on expository dialogue, which fills in anyone who missed or forgot the earlier film.

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PALM ROYAL – Review by Susan Granger

Loosely inspired by Juliet McDaniels’ 2018 novel Mr. and Mrs. American Pie, the comedy series Palm Royale, set in the late 1960s, follows the misadventures of former Tennessee beauty queen Maxine Simmons (Kristen Wiig), a desperate social climber determined to join South Florida’s most elegant, exclusive country club. Created as a darkly comedic melodrama by showrunner Abe Sylvia, this flimsy, farcical, frivolous frolic starts out deceptively shallow but slowly builds in depth and intensity, incorporating a beached whale and an astronaut falling from the sky

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THE CREATOR – Review by Valerie Kalfrin

Gareth Edwards’ The Creator, is a mixed bag. It’s a visually stunning, intriguing tale with echoes of the Vietnam War and science-fiction classics such as 1982’s Blade Runner. Yet in crafting a world where artificial intelligence—and simulated people—have branched into every aspect of life, the film leaves little room for nuance. In a nutshell, most humans in The Creator are bad, and the good robots just want to live in peace.

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THE CREATOR – Review by Susan Granger

British filmmaker Gareth Edwards’ ambitious The Creator abounds with extraordinary visuals, utilizing the very best technology available today – which is why it’s a shame that he neglects to supply an intriguing plot to support his timely spectacle. It’s all about Hollywood’s current obsession with artificial intelligence, exploring AI’s utopian and dystopian possibilities.

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TO LESLIE – Review by Diane Carson

The title woman in director Michael Morris’ To Leslie has one defining characteristic. Leslie is an alcoholic with all the baggage destructive to any healthy relationship; that is, Leslie will beg, borrow, or steal money to support her illness and the dysfunctional behavior resulting from it. Inspired by actual events, the story begins more upbeat, with Leslie winning a $190,000 lottery.

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MOVIE OF THE WEEK October 7, 2022: TO LESLIE

Andrea Riseborough adds yet another memorable performance to her impressive filmography in director Michael Morris’ wrenching drama To Leslie. She’s heartbreakingly vulnerable as a West Texas woman who gets one last chance to turn her life around after she squanders a $190,00 lottery win and her drinking spirals out of control. At stake is her self-respect, any hope of happiness, and her relationship with her son.

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BAD EDUCATION – Review by Martha K Baker

Bad Education tells well the true story of a bad principal. Frank Tassone is one of those principals who knows each student’s name — and probably what his history project is or what sport she plays. He is compassionate, considerate, competent. He also harbors a secret worth millions.

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BAD EDUCATION – Review by Susan Granger

Based on a real embezzlement scheme that stunned suburban Roslyn, Long Island in 2004, it’s as timely as last year’s college admissions scandal. Perceptively acing a diabolically complicated character, Hugh Jackman oozes charismatic charm as the slick yet sinister administrator, a perfect counterpart to Allison Janney’s brash budget director.

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