WEEK IN WOMEN: Amazon and IllumiNative launch Episodic Directors Program – Brandy McDonnell reports

Amazon Studios has joined forces with IllumiNative, a Native woman-led racial and social justice organization, to launch the first IllumiNative Episodic Directors Program. The yearlong program will provide resources and opportunities for emerging and mid-career Indigenous directors to work with a director across prep and shooting of episodic content, gaining valuable on-set experience and furthering their paths to success in the industry.

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AIR – Review by T.J. Callahan

Air: A shoe is just a shoe until someone steps into it. It was 1984. Americans were doing the Jane Fonda workout. Prince Charles and Lady Diana became parents to a future king, Mr. T pitied the fools, Clara Peller asked “Where’s the Beef?” and Converse ruled the athletic shoe world. A little ol sneaker company in Oregon was out to change that.

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ONE NIGHT IN MIAMI – Review by Diane Carson

One Night in Miami dramatizes four Black men’s extraordinary interaction

Imagine February 25, 1964, and four extraordinary Black men coming together for an evening of camaraderie. Then imagine these amazing men are Sam Cooke, Jim Brown, Cassius Clay, and Malcolm X. This is exactly what director Regina King’s One Night in Miami spectacularly presents as this remarkable foursome talks, laughs, argues, and probes the most significant issues of Black America.

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ONE NIGHT IN MIAMI – Review by Susan Granger

Oscar-and-Emmy-winning actress-turned-director Regina King (If Beale Street Could Talk, Watchmen) is determined to tell powerful stories that haven’t been heard – like this fictionalized meeting of Muhammad Ali, Malcolm X, NFL star James Brown and singer Sam Cooke in 1964.

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MOVIE OF THE WEEK December 25, 2020: ONE NIGHT IN MIAMI

Anyone who thinks female directors should stick to telling women’s stories is a) sexist and b) in for a surprise when they watch Regina King’s powerful directorial feature film debut One Night in Miami. Based on Kemp Powers’ same-named 2013 play, it imagines the fascinating conversation that might have happened between activist Malcolm X, boxer Cassius Clay, singer Sam Cooke, and NFL star Jim Brown had they all found themselves in the same place on the night of February 25, 1964.

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ONE NIGHT IN MIAMI – Review by Loren King

Regina King is such a brilliant actor that it’s not surprising she works wonders with the stellar male ensemble in her directing debut, One Night in Miami. Adapted by Kemp Powers from his 2013 speculative stage play, the action is set in just a single night —Feb. 25, 1964, the night that Cassius Clay (Eli Goree) won the world heavyweight championship at age 22 by defeating Sonny Liston in a title bout at the Miami Beach Convention Center. It unfolds largely in single hotel room where Clay celebrates with friends Malcolm X (Kinglsey Ben-Adir); football legend Jim Brown Aldis Hodge; and singer Sam Cooke (Leslie Odom Jr.).

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ONE NIGHT IN MIAMI – Review by Leslie Combemale

It has been clear for a while that Regina King was headed for feature film direction, and she found a great and compelling subject in the historic night in 1964 when Cassius Clay (soon to be Mohammad Ali), Malcolm X, Sam Cooke, and Jim Brown spent the evening together after Clay defeated Sonny Liston at the Miami Convention Hall. Screenwriter and playwright Kemp Powers adapted his award-winning play and King populated her film with a powerhouse cast that shines both individually and as an ensemble.

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ONE NIGHT IN MIAMI – Review by Susan Wloszczyna

Regina King seems to have the Midas touch whenever awards season comes around. She has amassed quite a load of gold in the form of an Oscar, four Emmys, a Golden Globe and a SAG ensemble honor in her career. But this year, she might just win gold with her debut behind the camera, One Night in Miami. King has been in training to be a director for a while by helming TV episodes of This Is Us, Insecure and Scandal.

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SPOTLIGHT June 2020: Nisha Ganatra, Filmmaker Focus on Inclusion and Parity

Nisha Ganatra has built a successful career anchored in inclusion, putting a full spectrum of voices and talents on display in her work and walking the walk in a way only a select few women working in the industry dare to do. She is helping to change the future for women in film.

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