You can’t get a better deflector for these dark days in the United States than a serio-comic farce set in the now defunct Soviet Union in 1953, as the mammoth country was given an opportunity to emerge from the rigid structure of Stalin’s tyranny. The Death of Stalin (2017) directed by political satirist Armando Ianucci is such film, a comic tour de force about the anarchy hidden within despotism.Read more
Andrea Riseborough’s filmography exemplifies strong female characters and diversity on screen. Dedicated, accomplished and passionate as a feminist actor/producer, Riseborough now adds writing/directing to her arsenal, making her a quadruple protagonist for gender equality in a movie industry that still underrepresents and misrepresents women. Continue reading…Read more
Andrea Riseborough plays a young woman who lives a life barely connected to reality in director Christina Choe’s Nancy. NancyRead more
“The Death of Stalin” does not purport to be history, so anyone going to learn about this moment in Russian history will be terribly confused. Anyone going to see satire about anarchy will be satisfied. There’s no way to see this film without thinking of the reports out of the White House concerning process chaos and policy chaos, something that the current administration admittedly thrives on.Read more
Opening Oct. 17, AWFJ’s Movie of the Week is Birdman, which sees the welcome return of Michael Keaton as a washed up actor trying to reclaim past glories by staging a play on Broadway. Directed by Alejandro Gonzalez Inarritu, the hugely talented filmmaker behind the likes of Amores Perros, 21 Grams and Babel, and powered by a virtuoso performance from Keaton, Birdman is a knowing – and hugely entertaining – treatise on the fickle nature of fame.