MOVIE OF THE WEEK August 14, 2026: THE RIVALS OF AMZIAH KING

If, at first, writer-director Andrew Patterson’s quirky, Oklahoma-set crime thriller The Rivals of Amziah King doesn’t seem like a very female-forward movie, just wait. Without risking any big spoilers, its safe to say that co-star Angelina LookingGlass more than holds her own against poster boy Matthew McConaughey in this twisty genre-defying indie film about queen bees, unconventional family ties, revenge, and the toe-tapping power of roots music. The Rivals of Amziah King deserves to become the sleeper hit of 2026.

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THE RIVALS OF AMZIAH KING – Review by Leslie Combemale

The script is well-crafted, taut, and heartfelt, but sharp and a bit twisted. Imagine Tarantino or Ritchie, but Southern, PG13, cozy, and with bees. There are some plot twists you might not expect, and it behooves viewers to just go with them. The Rivals of Amziah King goes through a number of head-turning stages before it reaches its conclusion, with some entertaining action set pieces that keep things exciting. It never loses its underlying message about community and tenacity in the face of adversity, all while maintaining the utmost respect for southern culture specific to Oklahoma. Best of all, when the lights come up, viewers will likely leave theaters with a smile, just as I did. This indie deserves to become the sleeper hit of 2026.

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THE RIVALS OF AMZIAH KING – Review by Monique Jones

Even though the film is listed as a contemporary western crime thriller, the thrills don’t really start until halfway into the film (not counting the very early shock of a brutal, but comical accident early in the film). Yes, the first half is setting up the sense of community and camaraderie that serves as a foundation for the second half. But the first half might come across as wandering as well as a little twee and precious when it comes to the “jovial southerner” stereotype the film really hangs its hat on.

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THE VAST OF NIGHT – Review by Diane Carson

Finding inspiration in early television science fiction, this satisfying little film zips through 89 minutes with confidence and style. What a delight it is to be swept up in 1950s small town New Mexico as switchboard operator Fay hears an indecipherable audio frequency and transmits it to friend Everett, hosting a radio call in.

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THE VAST OF NIGHT – Review by Alexandra Heller-Nicholas

The Vast of Night is a confident, subtle and deeply intelligent reflection of how history and myth take shape through technologies, and yet the film never slides into pompous soap-boxing or smug editorializing. It’s that rare gift of a film where all the elements combine in perfect harmony, a timely reminder that a great genre film doesn’t need to transcend genre as much as it needs to deeply love, respect and understand it.

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