Sundance FF 2024: Previewing Femme-Helmed Films, Part One – Leslie Combemale reports

January is generally known as the repository for the studios’ least promising releases. January is also the MONTH OF SUNDANCE, where promising film projects are introduced to the public for the first time and some go on to acclaim, winning multiple awards. The rising cost of attendance, the difficulty in getting films accepted (over 14,000 apply, about 100 get a premiere), and the ever-lowering percentage of films picked up for distribution are valid challenges for fest attendees, critics, and filmmakers. However, Sundance still one of the best games in town for female filmmakers and filmmakers of color. Of the first 82 narrative and documentary features announced by the fest, 47% were directed by filmmakers who identify as women, and 45% who identify as people of color.

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MRS. AMERICA – Review by Susan Granger

It’s fascinating how many young people have never heard of Phyllis Schlafly and how many older folk have forgotten her grassroots opposition to the Equal Rights Amendment back in the 1970s. It’s dauntingly relevant to realize that – a century after female suffrage became the law of the land – there’s still no constitutional ban on discrimination against women.

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CAPTAIN MARVEL – Review by Brandy McDonnell

“Captain Marvel” is part trippy, rainbow-hued space adventure, part buddy-cop road trip featuring terrific chemistry between Larson and Jackson, and part empowering coming-of-age story. The latter gets a welcome boost when Carol reunites with her stalwart best friend, fellow fighter pilot Maria Rambeau (Lashana Lynch), and Maria’s precocious daughter Monica (Akira Akbar), who help her rediscover her true self in time for the superpowered final showdown.

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