BULLET TRAIN – Review by T. J. Callahan

Bullet Train is all about the action. There’s a storyline in there somewhere, but this rapid transit is long and has so many cars you may need Google Maps. Every single character has their own separate and overlapping narrative, including a bottle of Fiji water. No one and no thing is left out, except for us. It’s our job to bob and weave and stay upright. Directed by David Leitch and prpduced by Antoine Fuqua, , Bullet Train can’t help but be pedigreed for pandemonium.

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THE GUILTY – Review by Martha K Baker

Jake Gyllenhaal is one of the producers of this remake of the Danish entry as Best Foreign Film of 2018. He gives his character, Joe Baylor, a wide range of hysteria, fright, concern, and frustration. He plays up Nic Pizzolatto’s screenplay, which is more sensational than the original, which felt creepier for being subtler. Still, “The Guilty” is unpredictable, heart-stopping, and, most of all, imaginative.

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THE GUILTY (TIFF 2021) – Review by Pam Grady

Twenty years after his breakthrough film, Training Day, Antoine Fuqua returns to the environs of the Los Angeles Police Department to deliver a very different, more subdued drama. A remake of a 2018 Danish thriller of the same name and shot under COVID protocols, it is a film where interest never flags but one that is hampered by its shaky night-in-the-life-of scenario, delivering a too shallow portrayal of the life of a troubled man.

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THE GUILTY (TIFF2021)- Review by Leslie Combemale

“Broken people save broken people.” That’s how Christina Vidal as Sgt Denise Wade explains Jake Gyllenhaal’s character Joe Baylor in Antoine Fuqua’s incredibly tense new film The Guilty. If the movie proves one thing, it’s that nothing is simple, and nothing is what it seems. Here, Fuqua teams up with Gyllenhaal in a pandemic-era story that unfolds in real time, bringing the audience on a gripping 90 minute wild ride, while the cameras stay almost exclusively in one room.

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