DARIO ARGENTO PANICO – Review by Maitland McDonagh

Director Simone Scafidi has his work cut out for him; Argento has spent his adult life in the spotlight; he was his own brand manager before the term existed and has always done a top-notch job of appearing guilessly unguarded while carefully cultivating his persona. It’s hard not to suspect that his provocative remarks have their roots in an instinctive awareness that a bit of controversy makes good copy… I doubt that he made many female friends by observing, “I like women, especially beautiful ones. If they have a good face and figure I would much prefer to watch them being murdered than an ugly girl or man,” but if a team of crack publicists had spent a month working on a provocative, guaranteed-to-be-controversial, eye-catcher of a statement they couldn’t have come up with anything better. All that having been said, Panico is a must-see for Argento completists; the maestro is in his 80s.

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VERA – Review by Nadine Whitney

true. Vera’s essentially stalled career because she was not as beautiful as her father. Vera’s addiction to plastic surgery. Vera’s tenuous financial situation which requires her to turn up and be seen at events. A woman in her early fifties who looks a decade older because of the surgery she has undergone and was first introduced to by her mother as a child who wanted to perfect her looks.

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ALIEN CRYSTAL PALACE – Review by Alexandra Heller-Nicholas

The film is, to put it mildly, more of a sensory experience than an exercise in character development and complex plot mechanics; to explain the story feels like trying to describe the narrative logic of a lava lamp. A haptic celebration of camp, Alien Crystal Palace loosely follows a deranged scientist obsessed with bringing into the world a new kind of perfect being, marked by its defining androgyny.

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WOMEN FILMMAKERS AT MONTREAL’S INTERNATIONAL FANTASIA FILM FEST – Alexandra Heller-Nicholas reports

Breaking with past bad habits, the presence of women-made movies at genre film festivals around the world is now becoming an assumed norm rather than a curious anomaly. The 2019 iteration of Montreal’s Fantasia Film Festival is a case in point, a fiercely independent and originally programmed festival that defines ‘outside the box’ curatorial thinking to the point that it has earned a strong international reputation for taste-making and trend-setting on the global film genre scene.

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TIFF18 Review: JEREMIAH TERMINATOR LEROY (World Premiere) – Alexander Heller-Nicholas

In any other time, there surely couldn’t be a twisted lo-fi queer-leaning biopic co-starring Laura Dern and Kristen Stewart that could be anything less than a total smash hit. Individually, each actor has developed intensely devoted fan bases in both the general mainstream and simultaneously among cult film die-hards. Framed with that ever-alluring ‘based on a true story’ chestnut, Jeremiah Terminator LeRoy should be win-win. So this indie turn should be a slam dunk, and yet…these are far from ordinary times.

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THE KEEPING ROOM, A BRAVE HEART, MISUNDERSTOOD, THE INTERN and Other Sept 25 Openers – Reviews by Jennifer Merin

In The Keeping Room, a gripping post-Civil War drama, Brit Marling, Hailee Steinfeld and Muna Otaru brilliantly portray women who

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