DUSTER – Review by Lynn Venhaus

This snappy original eight episode ‘70s throwback crime drama series from Warner Brothers Television has a playful Smokey and the Bandit and Starsky and Hutch vibe, not to mention sitcom-y character quirks, which add to its madcap charm. Yet, it is serious about the crimes being investigated and there’s an abundance of grit and gruesome, although this is far from a standard procedural. It’s testosterone-heavy, but has a female beacon of light that shines bright. Rachel Hilson is sensational as FBI agent Nina Hayes, a smart young Black woman in a (mostly) white man’s criminal underworld, more specifically the 1972 labor force that featured many uncool fashions, porn mustaches and provincial sexist thinking. You’ve come a long way, baby, is right.

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RED SNOW – Review by Alexandra Heller-Nicholas

By reducing that almost-always privileged figure of the white man to a barely glimpsed footnote in the story centered on Gwichʼin and Afghan characters, Métis filmmaker Marie Clements’ Red Snow is a reminder that there are new, important ways to approach genres where we might assume we’ve seen it all before.

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Filmmaker Marie Clements on RED SNOW – Marina Antunes interviews

Canadian artist Marie Clements’ career spans decades and includes acting, writing and directing in theatre, television and film. As a writer and filmmaker for screen media, she has worked in both scripted and unscripted entertainment and has developed the skills to tell nearly any story.

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