THE PIANO LESSON – Review by Diane Carson

Director Malcolm Washington’s adaptation of August Wilson’s The Piano Lesson infuses humor as an uplifting complement to the incisive and insightful commentary on racism, family ties, spirituality, and profound but endangered friendships. Set during the Great Migration, centered on the revered, inherited piano, the family’s and friends’ reactions differ. Boy Willie wants to sell it for, to him, a noble purpose: the dream of owning his own land as a free man. His sister, young widow Berniece, cannot fathom such disrespect for the spirits embodied in and carved into this venerated piano. Events and subplots punctuate their conflict: a potential romance, drinking and playing cards, a visit to a lively bar, and, most significantly, the presence of a credibly malevolent ghost that haunts their history.

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ON BROADWAY – Review by Martha K Baker

Director Oren Jacoby brings The Great White Way to the Silver Screen, and it’s a glorious trek. He made this commendable documentary in 2019, but the vicissitudes of a pandemic closed movie houses. So this recent history of Broadway is just now appearing, but it’s well worth the wait.

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MA RAINEY’S BLACK BOTTOM – Review by Susan Granger

George Wolfe’s well-timed production is a lavish adaptation of August Wilson’s thinly-plotted 1984 play that vividly depicts how dismissively Black musicians were treated back then and how some “existed in defiance of their time.” Known as the “Mother of the Blues,” hip-swaying, sweat-slicked Ma Rainey (Viola Davis) bristles when her opportunistic manager and record producer don’t show the diva proper respect.

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MA RAINEY’S BLACK BOTTOM – Review by Martha K Baker

Ma Rainey, the Mother of the Blues, stands in the spotlight serenading the Black Bottom, a Twenties’ dance. But August Wilson put her there, and this film version of his play pays homage to him as much as it does to her. A third honor in this fine film goes to Chadwick Boseman in his last remarkable role.

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MA RAINEY’S BLACK BOTTOM – Review by Susan Wloszczyna

Viola Davis more than deserves her first lead actress Oscar nomination for her knock-out performance. But it is Chadwick Bosman’s nervy and brave performance that will linger on your mind. It’s nearly assured his legacy will be honored with a posthumous lead actor spot on ballot. Bless the makers of this showbiz tale for such a spectacular showcase of this actor’s artistry and talent.

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