NOSTALGIA FOR THE LIGHT and Chile’s Atacama Desert – Diane Carson reports

Chilean writer/director Patricio Guzmán’s 2010 documentary Nostalgia for the Light provides a dramatic introduction to the Atacama Desert in northern Chile, located between the Andes Mountains and the Pacific Ocean. The film surveys astronomers interrogating origins of the cosmos, archeological evidence, and the heartbreaking unearthing of bone fragments of Chilean dictator Augusto Pinochet’s murdered victims, their bodies discarded in the desert. The highest desert in the world, averaging over 8200 feet and the driest nonpolar desert in the world, Atacama all but defies description. Even having seen Nostalgia for the Light before my recent visit, nothing prepared me for the week I spent experiencing its diverse ecosystems and historical richness.

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EL CONDE – Review by Diane Carson

Now, on the occasion of the fiftieth anniversary of Pinochet’s coup d’état against Allende, Larraín’s El Conde again targets Pinochet. However, Larraín has departed from realistic storytelling, creating a grisly, at times even repulsive, presentation of Pinochet as a jaded vampire in his late eighties. He and his enablers retrieve fresh hearts from victims, put them in blenders, and feast on ugly smoothies. Legendary cinematographer Ed Lachman captures all this in rich, deep black-and-white, the only buffer against our aversion to these loathsome individuals

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EL CONDE – Review by Nadine Whitney

Chilean director Pablo Larraín adds a particularly dark and absurd entry to his films influenced by the dictatorship of Augusto Pinochet. While No is his lightest effort and Post Mortem his bleakest, El Conde is his most absurd. Using the premise that Pinochet is a two hundred-and fifty-year old vampire born in France in 1766 and obsessed with Marie Antoinette, August Pinochet gradually became the dictator of a “country without a king” after fighting in any war that put down the proletariat.

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NOSTALGIA FOR THE LIGHT – Review by Jennifer Merin

Patricio Guzman’s beautifully filmed documentary is an exploration of Chile’s remote and pristine Atacama Desert, an arid area that attracts three groups of researchers, each searching for answers to essential human inquiries. With his refined and rather pensive narration, Guzman connects the three apparently disparate searches into a comprehensive and profoundly challenging inquiry into the origins of the universe and of humankind.

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