Both sensitive and slyly ambitious Rudolf Hoss (Christian Friedel) and his wife, Hedwig (Sandra Huller), thrive on order and for the former, that’s an ideal qualification for military life. Rudolf quickly rises through the ranks, while Hedwig dedicates herself to being a wife and mother to the two children she quickly bears, Hans and Inge… yes, one girl and one boy, a child to replace each parent. Hedwig keeps an impeccable house, cultivates an impressive garden in which both flowers and vegetables thrive and raising Hans and Inge. Their lovely house would shine in the most competitive American suburb, their dog is adorable… and they radiate an unspoken but clearly shared belief in their own perfection: One that’s based on fulfilling an almost comical ideal of partnership, parenthood and division of labor while the crematorium visible over their back wall is converting enormous numbers of other people into greasy smoke and ashes.
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