Sydney FF 2019: DARK PLACE – Review by Alexandra Heller-Nicholas

Dark Place saves the best of its anthology of five horror shorts till last and excels with Kodie Bedford’s unforgettable, electrifying Scout. If every horror anthology contains one short you wish was a feature, this is it; despite being a newcomer to directing, Bedford directs action like an old-hand, and the way she combines familiar genre thrills with inescapable and at times explicit political agenda about the exploitation and abuse of Indigenous Australian women by white men is nothing less than masterful.

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What’s Up Down Under?: Melbourne IFF Screens Maya Deren Films to Live Score – Alexandra Heller-Nicholas reports

In a rare treat for Australian audiences, Thurston Moore – co-founder, guitarist and sometime-vocalist of legendary US rock band Sonic Youth – will be a guest of the 2019 Melbourne International FIlm Festival where, on 2 August, he will perform live his scores to four Maya Deren’s films, the haunting Meshes of the Afternoon, At Land (1944), Ritual in Transfigured Time (1946) and a new score for her famously unfinished short The Witch’s Cradle.

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What’s Up Down Under? Queensland Film Festival: 80 Percent Femme-helmed Films — Alexandra Heller-Nicholas reports

The Australian state of Queensland in the country’s north-east in many ways typifies all the national clichés so readily identifiable

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