MOVIE OF THE WEEK, FEBRUARY 9, 2024: THE TASTE OF THINGS

Food is truly the love language of the main characters in writer-director Anh Hung Tran’s luscious romantic drama The Taste of Things, which he adapted from Marcel Rouff’s novel. Starring Juliette Binoche and Benoît Magimel as gourmet collaborators in late-1800s France whose chemistry is powerful in the kitchen and beyond, it’s one of those movies that will leave you utterly dissatisfied with your own pantry and longing for a 5-star French menu.

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THE TASTE OF THINGS – Review by Loren King

The Taste of Things features elaborately prepared meals that will send a hungry viewer running to the fridge or the concession stand. But of course the film is about much more than food. It’s about chefs as artists who lovingly and painstakingly prepare their creations and about memories evoked by even the simplest dishes. It’s about the passage of time; the change of the seasons; the quest for perfection; about love, beauty and the light the fills the 19th century French farmhouse kitchen in the Pays de la Loire region of France.

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THE TASTE OF THINGS – Review by Sherin Nicole

Written and directed by Trân Anh Hùng (from the novel La Vie et la Passion de Dodin-Bouffant, Gourmet), The Taste of Things centers on chef Doudin Bouffant (Benoît Magimel) and his partnership with his cook, Eugénie (Juliette Binoche). The pair live and work in the countryside of 19th-century France, where they are famous for their culinary symphonies. Hùng turns their cooking into love letters, passed back and forth in the silence of the unspoken. Food is the couple’s love language, and The Taste of Things is an epicurean epistle.

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THE TASTE OF THINGS – Review by Beth Accomando

Not since Babette’s Feast have I wished I could smell and taste a film as much as this one. Vietnamese-born French director Trần Anh Hùng used Vietnamese food to flavor his debut feature The Scent of Green Papaya. Now he returns to the kitchen for some elaborate French cuisine in The Taste of Things, based on Marcel Rouff’s novel. Set in 1885, the film depicts the relationship between Eugenie (Juliette Binoche), an exquisitely talented cook, and Dodin Bouffant (Benoît Magimel), the gourmet she has worked for that past 20 years.

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MOVIE OF THE WEEK June 23, 2023: REVOIR PARIS

Starring Virginie Efira as Mia, a Parisian woman who survives a deadly terrorist attack in a crowded bistro, Alice Winocour’s haunting drama Revoir Paris explores the lingering impact of devastating trauma. As Mia struggles to remember the details of what happened to her and the other victims that fateful night, she must come to terms with the fact that her life now has distinct “before” and “after” portions — and decide what that means for her future.

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REVOIR PARIS – Review by Jennifer Merin

Alice Winocour’s beautifully rendered Revoir Paris is a compelling drama centering on Mia (Virginie Efira), a woman who is trying to process a calamity and recover from the trauma of having witnessed and survived a terrorist attack in a popular — hence crowded– Paris bistro. The film is a fascinating study of grief that focuses on how to recover from trauma and move on. Director Alice Winocour, who co-wrote the script, and the wonderful Virginie Efire, who plays Mia, do a brilliant job of engaging viewers in timely contemplation about the shattering consequences of terrorism — on those who survive.

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PACIFICTION – Review by Diane Carson

Most associations for the French Polynesian island of Tahiti derive from early films such as Mutiny on the Bounty (1962) or enticing, idyllic tourist ads. Catalan director Albert Serra takes an intriguing unique approach in his Pacifiction. For two and three quarter hours, the present-day story follows De Roller, the High Commissioner of the Republic and French government’s overseas territory. Scrutinizing De Roller’s interactions with Indigenous locals, wealthy power brokers, a Jehovah Witnesses minister, exploitive outsiders, and more, the multifaceted nature of this isolated community comes to vivid life.

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