THE PHOENICIAN SCHEME – Review by T.J. Callahan

Award winning filmmaker Wes Anderson is back with another Hollyweird eccentric comedy. Get ready to experience The Phoenician Scheme. Zsa Zsa Korda is a wanted man. He’s on top of every assassin’s hit list with no success. They can’t kill Korda. Benicio del Toro is Korda. He’s a Donald Trump-like tycoon and arms dealer. His latest grand plan is to overhaul the infrastructure of the Middle Eastern region of Phoenicia.

Read more

THE FRIEND – Review by Susan Granger

Animal lovers….dog lovers, specifically…you’re gonna enjoy The Friend, a character study cleverly adapted from Sigrid Nunez’s National Book Award-winning 2018 meditative novel about dealing with mortality. When celebrated writer Walter (Bill Murray) commits suicide, he leaves his beloved companion, a gigantic, black-and-white harlequin Great Dane named Apollo, to his best friend/onetime lover Iris (Naomi Watts), a stagnated creative writing professor. Problem is: Iris lives in a small, rent-controlled Manhattan apartment that has a strict ‘No Dogs’ rule.

Read more

THE FRIEND – Review by Susan Kamyab

The Friend, starring Naomi Watts and Bill Murray is an adaptation of Sigrid Nunez’s novel about an unconventional friendship between a writer and her late friend and mentor. The film follows Iris, a writer and professor living in New York City. She has just learned about the unexpected passing of her longtime mentor and dear friend, Walter. The heartbreaking news has shocked her, and she isn’t fully able to process how the death has affected her due to the pressures of finishing the novel she had been working on with Walter and having to take care of his Great Dane, Apollo, which Walter has inconveniently passed on to her. To make matters worse her apartment does not allow pets, and finding a new home for Apollo is proving that Iris is taking on more than she can chew.

Read more

THE FRIEND – Review by T. J. Callahan

The healing power of pets seems to be the running theme in Hollywood of late. From a penguin teacher to a Great Dane named Apollo, who silently and regally helps a grieving woman come to terms with the death of the dog’s owner and her close companion…in The Friend. The Friend is emotional support cinema. The screenplay can’t decide which way it wants to go so it just goes…and wraps us up along with it. No one is rescued from a well or saved from an epidemic, but hearts are mended and stolen. The film is melancholy without being melodramatic. Bring tissue. I did the “ugly cry” at the end, but that’s not a bad thing.

Read more

THE FRIEND – Review by Diane Carson

Directors Scott McGehee and David Siegel’s The Friend, starring Naomi Watts as Iris and the 151 lb. Harlequin Great Dane Bing as Apollo, anchors serious commentary in animal stories, a strategy with just enough distraction that it allows coming sidelong at weighty issues. In fact, in The Friend, grief and suicide define the narrative. In it, Walter commits suicide (discussed but never shown) leaving Apollo to best friend, writer, and adult ex-student Iris. As a result, in a rent-controlled, 500-square-foot West Village Manhattan apartment, Iris Dixon faces multiple problems. Her building has a strict “no dogs” rule, and a very sad, clearly grieving Apollo doesn’t follow commands well.

Read more

THE FRIEND – Review by Ann Lewinson

Scott McGehee and David Siegel’s The Friend is an adaptation of Sigrid Nuñez’s 2018 National Book Award winner. Set in a literary Greenwich Village that seems like a mirage from an earlier era, the world that Iris (Naomi Watts) inhabits feels lived in and wholly believable. She’s a blocked novelist teaching uninspired creative writing students and living in her late father’s rent-controlled apartment off Washington Square Park. And suddenly, with the suicide of her best friend and mentor, Walter (Bill Murray), she’s saddled with his Great Dane, Apollo. And her building doesn’t allow dogs.

Read more

GHOSTBUSTERS: FROZEN EMPIRE – Review by Valerie Kalfrin

Like its vault for containing trapped ghosts, Ghostbusters: Frozen Empire is creaky and overstuffed. Full of references to the 1984 original, it has a plot that’s more complicated that it needs to be, jarring errors in continuity and logic, and characters with little to do. That’s a shame because, along with a passionate fan base, the Ghostbusters franchise often mixes screwball shenanigans with heart. The gentle reboot of 2021’s Ghostbusters: Afterlife, while uneven, struck the right notes, following the daughter and grandchildren of Egon Spengler (the late Harold Ramis) in Oklahoma. The family uncovered a paranormal secret and reconnected with the surviving Ghostbusters, giving Egon a proper sendoff.

Read more

GHOSTBUSTERS: Frozen Empire – Review by T.J. Callahan

After an ancient relic unleashes an evil force, the original and the new Ghostbusters combine to turn up the heat on a tall, dead and horny villain named Garraka whose mission is to bring on the second coming of the Ice Age in Ghostbusters:Frozen Empire. This 4th installment of the Ghostbusters franchise means well, but tries to do too much. There are multiple storylines throwing a myriad of particles and Stay Puft Marshmallow men at us that only make for paranormal plot holes. There’s an abundance of sarcasm and over acting from the younger performers with plenty of mugging for the camera by all.

Read more

GHOSTBUSTERS: FROZEN EMPIRE – Revew by Susan Kamyab

In this newest sequel, the discovery of an ancient artifact unleashes an evil force, making Ghostbusters new and old join forces to protect their home and save the world from a second ice age. All the beloved cast from the previous film have returned, but this time around filmmaker Jason Reitman, son of Ivan Reitman, who directed the original movies, sticks to co-writing credits and Gil Kenan steps in as director. It’s possible this was the first mistake, as Ghostbusters: Frozen Empire is a disjointed mess, bloated with too many scattered storylines.

Read more

THE GREATEST BEER RUN EVER – Review by Martha K Baker

The Greatest Beer Run Ever could have been just another bromance or a boy-farce, like The Hangover. It is more than either sub-genre, much more — maybe because it’s based on a real story, as farcical as that is. The film is well realized. John Donohue, called “Chick,” made his beer run to Vietnam in 1967. He had been in the military earlier, stationed in his home state of Massachusetts.

Read more