INVISIBLE WARRIORS: AFRICAN AMERICAN WOMEN IN WORLD WAR II – Review by Jennifer Merin

Make no mistake about it, Invisible Warriors: Africa American in World War II is an important documentary that brings to awareness another chapter in the U.S.’s heinous history of racial and gender disrimination. In it, filmmaker Gregory Cooke interviews Black women elder citizens who tell of their experiences as civilian and quasi-military workers who supported the U.S. fighting forces during World War II. They were then young women who left their hometowns and families and relocated to industrial centers where they filled jobs that were left open by men who’d been recruited to fight on the front lines. These women’s contibutions to the war effort were beyond essential, their skills were more than mighty and their patriotism and dedication to duty were unassailable. Yet, as Black women, they faced unforgettable and unforgiveable racial and gender discrimination that impacted every aspect of their work and personal lives at that time and up to the present.

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Jazmin Jones’ SEEKING MAVIS BEACON opens in theaters – Brandy McDonnell reports

After premiering in the NEXT section at the 2024 Sundance Film Festival, Jazmin Jones documentary “Seeking Mavis Beacon” is finding its way into theaters in select cities. The documentary is the directorial debut for Jazmin Jones, a Black, queer filmmaker based in Brooklyn, New York, Seeking Mavis Beacon, is described as a hybrid documentary that blends myth and memory to uncover the truth behind an unsung hero in Black history: Mavis Beacon.

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SEEKING MAVIS BEACON – Review by Lynn Venhaus

An ambitious science fair experiment of a documentary, Seeking Mavis Beacon wanted answers it couldn’t obtain, but raised more questions on representation, privacy, exploitation, racism and sexism that should be addressed. Imaginative artist Jazmin Jones and assistant Olivia McKayla Ross embarked on a mission to examine the legacy of an influential black woman who became a symbol of success in the early days of cyberspace.

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JAZMIN JONES on SEEKING MAVIS BEACON, the Digital Age and Deep Fakes – Nell Minow interviews

In the 1980s, when the ability to use a keyboard went from a clerical skill to an essential proficiency for accessing the Internet, the most popular software for learning how to type came in a box with a picture of a beautiful Black woman in a business suit, looking like a supremely confident and capable professional. The program featured a figure using the limited technology of the time presented as this woman, leading users through games to help them learn the keyboard. The model for the box and the pixilated avatar was named Mavis Beacon.

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