CAUSEWAY – Review by Susan Granger

A Causeway is defined as ‘a path above the level of a wetland.’ In Jennifer Lawrence’s film about healing – it’s her road to recovery as a wounded soldier returning from Afghanistan.. After her vehicle was hit by an IED while serving in the U.S. Army Corps of Engineers, Lynsey (Lawrence) arrives home in New Orleans suffering from a debilitating brain injury and compromised motor skills.

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CAUSEWAY – Review by T.J. Callahan

Jennifer Lawrence takes us back to her early screen days by once again evoking subtle sympathy in this subdued psychological drama about a soldier struggling to find her way in society after returning from Afghanistan. Lawrence’s character, Lynsey, was a member of the Army Corps of Engineers traveling in a convoy en route to an assignment when they were hit by a bomb. Lynsey suffers a traumatic brain injury and is sent home to her dysfunctional family to heal. While she physically gets stronger through therapy, Lynsey still suffers mentally.

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BULLET TRAIN – Review by T. J. Callahan

Bullet Train is all about the action. There’s a storyline in there somewhere, but this rapid transit is long and has so many cars you may need Google Maps. Every single character has their own separate and overlapping narrative, including a bottle of Fiji water. No one and no thing is left out, except for us. It’s our job to bob and weave and stay upright. Directed by David Leitch and prpduced by Antoine Fuqua, , Bullet Train can’t help but be pedigreed for pandemonium.

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THE OUTSIDE STORY – Review by Maitland McDonagh

An gentle ensemble comedy-drama, The Outside Story is small movie with, yes, a big heart. And that’s a good thing. Brooklyn-based documentary filmmaker Charles (Brian Tyree Henry) has been in a serious rut since he split up with his girlfriend, lawyer Isha (Sonequa Martin-Green), whose belongings–packed in boxes scattered around the brownstone apartment–serve as constant reminders of her absence.

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THE WOMAN IN THE WINDOW – Review by Susan Granger

Occasionally, there’s a book-to-film adaptation that is an utter disaster. Netflix’ The Woman in the Window is one. Based on A.J. Finn’s 2018 best-seller, it’s set on Manhattan’s Upper West Side in the huge home of Anna Fox (Amy Adams), a child psychologist who became agoraphobic after a traumatic accident.

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