MOVIE OF THE WEEK September 25, 2026: TWIGGY

She may be one of the most iconic faces of the 1960s, but chances are you don’t know all that much about Dame Lesley Lawson, aka Twiggy. Director Sadie Frost aims to correct that with Twiggy, an intimate behind-the-scenes documentary about the (in)famous model/actress/singer/daughter/girlfriend/wife/mother — who, it turns out, is awfully down-to-earth for someone who found worldwide fame so young.

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TWIGGY – Review by Loren King

What a charming and captivating time capsule about a woman who embodied her time and then transcended it. Director Sadie Frost’s Twiggy is, of course, a delightful memory trip back to the swinging ‘60s in London and the ascendency of working class teenager Lesley Hornby to the heights of fashion fame. As gamine faced, slim and androgynous Twiggy, she broke all the rules for what women should look and act like. But because Twiggy is so singular in her authenticity and unabashedly positive nature, the film become a stirring portrait of something else entirely.

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TWIGGY – Review by Cate Marquis

Twiggy is director Sadie Frost’s appealing, charming documentary about the 1960s fashion icon known as Twiggy, whose super-skinny form and androgynous looks transformed how the fashion industry thought models were supposed to look. Prior to Twiggy, British fashion models came from the upper classes and were slim but curvy, tall and elegant young adult women. This 16-year-old girl from working class London, who spoke with a Cockney accent, changed all that.

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TWIGGY – Review by Monique Jones

Sadie Frost’s Twiggy is a great watch for fashion fans and, more specifically, Twiggy fans. I liked learning more about her and seeing that she was who I thought she was–funny, self-deprecating, and without airs. I feel like, to paraphrase one of the people interviewed for the film, that her genuine spirit is what helped catapult her to stardom. She might have been one of the world’s most iconic fashion models, but she still remembered her working class roots.

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MOTHER OF THE BRIDE – Review by Susan Granger

Whatever happened to the light, frothy romantic comedy? Instead of wry, observational humor about falling in love ‘the second time around” and the toxic effect of Instagram/commodification of meaningful rituals like weddings, these superficially ‘pretty people’ are all bland, underdeveloped stereotypes, and each shallow, awkward scene turns out to be more predictable than the one preceding it.

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MOTHER OF THE BRIDE – Review by Valerie Kalfrin

It’s fitting that the new Netflix romantic comedy Mother of the Bride revolves around an influencer’s wedding full of pretty images and sponsorships. The film looks like a travelogue for Thailand, with stunning skylines, sunsets, and loads of tropical beaches and cocktails. That’s fine if you’re in the mood to coast on the company of stars Brooke Shields and Benjamin Bratt, but it’s meh if you want more substance.

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