SHEEP DETECTIVES – Review by Susan Granger

Sheep Detectives is spring’s most welcome surprise! Hugh Jackman’s live-action whodunit is a family-friendly, comedic adaptation of Leonie Swann’s best-selling 2005 German novel Three Bags Full. The opening credits deliver the first hint of delight – as a plaintive barnyard “Baaa” replaces the traditional roar of the MGM lion.
Set in rural England, the story begins with George Hardy (Jackman), a gentle shepherd who not only feeds, shears and tends to his wooly flock but also reads mystery novels aloud to them at bedtime, unaware that they’re actually listening. Then – egad! – late one night, George is murdered.

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THE SHEEP DETECTIVES – Review by Valerie Kalfrin

The family-friendly whodunit The Sheep Detectives is no mere Sherlock Hooves. This clever yarn about sheep who nose into their shepherd’s death becomes a surprisingly tender meditation on grief and how we keep memories of loved ones alive. While its mystery isn’t as knotty as one of Agatha Christie’s (or Rian Johnson’s, for that matter), The Sheep Detectives weaves a warm spell. With its amiable humor, an appropriate comeuppance, and well-earned teary moments, it’s a shear delight.

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THE SHEEP DETECTIVES – Review by T.J. Callahan

The Sheep Detectives is a mystery comedy directed by Kyle Balda (Minions), written by Craig Mazin (The Last of Us) and adapted from the novel Three Bags Full by Leonie Swann. The PG rated family film also boasts a large ensemble cast including Emma Thompson, Bryan Cranston, Regina Hall, Julia Louis-Dreyfus, Patrick Stewart and Hong Chau. Some are live and some are voice actors. That’s because The Sheep Detectives is a cross between Knives Out and Babe with a puzzle within a puzzle.

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EVERYTHING’S GOING TO BE GREAT (Tribeca 2025) – Review by Beth Accomando

Everything’s Going to Be Great is a sweet film that hits a lot of familiar notes about a theater kid in a small town and a father who dreams big at the expense of his family. Everything’s Going To Be Great is about family, and about how families navigate ever changing dynamics that pull them apart and then bring them back together. There are no bold strokes of originality here or surprises, but there is genuine comfort in a film about recognizing each other’s weaknesses and strengths, and learning to appreciate each other despite ourflaws.

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THE PHOENICIAN SCHEME – Review by T.J. Callahan

Award winning filmmaker Wes Anderson is back with another Hollyweird eccentric comedy. Get ready to experience The Phoenician Scheme. Zsa Zsa Korda is a wanted man. He’s on top of every assassin’s hit list with no success. They can’t kill Korda. Benicio del Toro is Korda. He’s a Donald Trump-like tycoon and arms dealer. His latest grand plan is to overhaul the infrastructure of the Middle Eastern region of Phoenicia.

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THE STUDIO – Review by Susan Granger

Ever wanted to sneak behind-closed-doors and see what propels the Hollywood Dream Machine? That’s what happens in the cameo-cluttered, 10-episode satire The Studio, skewering the perennial Art-vs-Commerce dilemma. When delusional dreamer Matt Remick (co-creator Seth Rogen) becomes the head of Continental Studios , he’s told by CEO Griffin Mill (Bryan Cranston) that his job is to make IP-driven movies that will succeed at the box-office, not “artsy-fartsy films.” Problem is: pretentious cinephile Matt thinks he can do both

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KUNG FU PANDA 4 – Review by Valerie Kalfrin

By the fourth film in a franchise, one expects some diminishing returns. Kung Fu Panda 4 doesn’t reach the heights of the 2008 original, but this panda still has a few kicks. In Kung Fu Panda 4, Jack Black again returns to voice Po, but the character has plateaued. Having acquired the jade-green staff of wisdom since the original film, he’s ready to teach a new dragon warrior and become the spiritual leader of the Valley of Peace, says his instructor, Master Shifu. Yet Po, happy with ribbon-cuttings and quests, shies from this responsibility.

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ARGYLLE – Review by MaryAnn Johanson

I startled myself awake the morning after my screening with the shocking realization that nothing in the trailer — which has been ubiquitous and inescapable at cinemas for months now — is actually in the damn movie. Or is it? Maybe some of it is? The movie itself had already faded from memory, mere hours later, it’s that blah…

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ARGYLLE – Review by Susan Kamyab

Most critics don’t seem to be fans of Matthew Vaughn’s new action comedy, Argylle, but luckily, I’m in the minority of those who had a blast with it. The film is about an introverted spy novelist played by Bryce Dallas Howard, who is drawn into the activities of a sinister underground organization. It’s best to not take this film too seriously. Just allow yourself to enjoy the ridiculous ride. Argylle is a fast-paced, witty, and action-packed spy comedy that’s well worth seeing on the big screen.

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ARGYLLE – Review by Valerie Kalfrin

With director Matthew Vaughn, best known for Kick-Ass and the Kingsman films, one expects foolishness. This isn’t Tinker Tailor Soldier Spy—or even The Spy Who Loved Me. Argylle is preposterous and messy, but I’ve seen worse, and without the good cheer of Bryce Dallas Howard and Sam Rockwell. It’s pitched at a heightened reality with cartoonish stunts, over-the-top action, zany dance choreography, and disco music. I doubt I’ll see another sequence this year with someone on jerry-rigged knife-blade ice skates slaying enemies in a sit-spin, or people twirling in a gunfight among smoke canisters that bloom into technicolor hearts.

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