RED SNOW – Review by Alexandra Heller-Nicholas

By reducing that almost-always privileged figure of the white man to a barely glimpsed footnote in the story centered on Gwichʼin and Afghan characters, Métis filmmaker Marie Clements’ Red Snow is a reminder that there are new, important ways to approach genres where we might assume we’ve seen it all before.

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THE GREY FOX – Review by Diane Carson

Newly restored and rereleased, The Grey Fox (1982) presents the fascinating, true story of Bill Miner the famously successful turn of the 20th century train robber. Director Phillip Borsos’ creative cinematic storytelling and Richard Farnsworth’s brilliantly nuanced performance as the ‘Gentleman Bandit)’ make The Grey Fox a must see Western classic.

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Filmmaker Marie Clements on RED SNOW – Marina Antunes interviews

Canadian artist Marie Clements’ career spans decades and includes acting, writing and directing in theatre, television and film. As a writer and filmmaker for screen media, she has worked in both scripted and unscripted entertainment and has developed the skills to tell nearly any story.

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Andrea Stefancikova talks PROMISELAND and Troubled Characters – Marina Antunes interviews

Canadian/Czechoslovakian actress Andrea Stefancikova’s budding career got a big boost when Promiseland, her first performance in a leading role, was selected to screen at the Whistler Film Festival in 2019; the first martial arts action film to ever screen at the fest. Additionally, Stefancikova was selected as one of the festival’s Stars to Watch, a prestigious honor awarded by a committee of industry professionals.

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Whistler Film Festival 2019: It’s a Wrap – Marina Antunes reports

For five short days in December, the Resort Municipality of Whistler turns from one of the world’s top ski destinations into one of the top entertainment destinations as the Whistler Film Festival descends on the village. In its 19th year, the latest edition of festival continued the tradition of celebrating Canadian talent with 71% of the programmed films being Canadian.

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SPOTLIGHT August 2019: Carol Whiteman, Feminist Film Advocate, Activist, President of Women in the Directors Chair

In Canadian women’s filmmaker circles, mention of Carol Whiteman’s name is cause for applause. As President of the non-profit Women in the Director’s Chair, Whiteman can be credited with mentoring more than 250 women directors through the arduous process of making their first films — from concept to premiere. Any female filmmaker who is working in Canada or has aspirations to do so ought to have Whiteman’s name on her must meet list.

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RIOT GIRLS – Review by Alexandra Heller-Nicholas

Jovanka Vuckovic’s feature debut Riot Girls is set in a future where the adult population has been decimated by a plague kids have remained immune to. Riot Girls makes Vuckovic’s punk sensibility explicit not only through its very title (riffing on the underground 90s riot grrrl movement), but by the subcultural styling of its two central characters, Scratch (Paloma Kwiatkowski) and Nat (Madison Iseman).

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MOUTHPIECE – Review by Leslie Combemale

Mouthpiece is not an easy watch, especially for those still emotionally bruised by the recent loss. of a loved one. However, films that capture grief with a female gaze are too few in number, and there is catharsis for film lovers willing to invest in a viewing. It will stay with you. It might even spur some inner inquiry. Isn’t that what good films should do?

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