THE FRIEND – Review by Susan Granger

Animal lovers….dog lovers, specifically…you’re gonna enjoy The Friend, a character study cleverly adapted from Sigrid Nunez’s National Book Award-winning 2018 meditative novel about dealing with mortality. When celebrated writer Walter (Bill Murray) commits suicide, he leaves his beloved companion, a gigantic, black-and-white harlequin Great Dane named Apollo, to his best friend/onetime lover Iris (Naomi Watts), a stagnated creative writing professor. Problem is: Iris lives in a small, rent-controlled Manhattan apartment that has a strict ‘No Dogs’ rule.

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THE FRIEND – Review by Susan Kamyab

The Friend, starring Naomi Watts and Bill Murray is an adaptation of Sigrid Nunez’s novel about an unconventional friendship between a writer and her late friend and mentor. The film follows Iris, a writer and professor living in New York City. She has just learned about the unexpected passing of her longtime mentor and dear friend, Walter. The heartbreaking news has shocked her, and she isn’t fully able to process how the death has affected her due to the pressures of finishing the novel she had been working on with Walter and having to take care of his Great Dane, Apollo, which Walter has inconveniently passed on to her. To make matters worse her apartment does not allow pets, and finding a new home for Apollo is proving that Iris is taking on more than she can chew.

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THE FRIEND – Review by T. J. Callahan

The healing power of pets seems to be the running theme in Hollywood of late. From a penguin teacher to a Great Dane named Apollo, who silently and regally helps a grieving woman come to terms with the death of the dog’s owner and her close companion…in The Friend. The Friend is emotional support cinema. The screenplay can’t decide which way it wants to go so it just goes…and wraps us up along with it. No one is rescued from a well or saved from an epidemic, but hearts are mended and stolen. The film is melancholy without being melodramatic. Bring tissue. I did the “ugly cry” at the end, but that’s not a bad thing.

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THE FRIEND – Review by Diane Carson

Directors Scott McGehee and David Siegel’s The Friend, starring Naomi Watts as Iris and the 151 lb. Harlequin Great Dane Bing as Apollo, anchors serious commentary in animal stories, a strategy with just enough distraction that it allows coming sidelong at weighty issues. In fact, in The Friend, grief and suicide define the narrative. In it, Walter commits suicide (discussed but never shown) leaving Apollo to best friend, writer, and adult ex-student Iris. As a result, in a rent-controlled, 500-square-foot West Village Manhattan apartment, Iris Dixon faces multiple problems. Her building has a strict “no dogs” rule, and a very sad, clearly grieving Apollo doesn’t follow commands well.

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THE FRIEND – Review by Ann Lewinson

Scott McGehee and David Siegel’s The Friend is an adaptation of Sigrid Nuñez’s 2018 National Book Award winner. Set in a literary Greenwich Village that seems like a mirage from an earlier era, the world that Iris (Naomi Watts) inhabits feels lived in and wholly believable. She’s a blocked novelist teaching uninspired creative writing students and living in her late father’s rent-controlled apartment off Washington Square Park. And suddenly, with the suicide of her best friend and mentor, Walter (Bill Murray), she’s saddled with his Great Dane, Apollo. And her building doesn’t allow dogs.

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LISA FRANKENSTEIN – Review by T.J. Callahan

Very loosely based on the Mary Shelley novel, Frankenstein and a parody of the graphic design company “Lisa Frank”, Lisa Frankenstein is described as a coming of RAGE love story between a teenage social outcast and the corpse she has a crush on. After a crazy graveyard lightning storm brings The Creature back to life, the two embark on a murderous journey to find happiness and a few missing body parts.

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LISA FRANKENSTEIN – Review by Beth Accomando

The whole thing feels like a wannabee Tim Burton film with Kathryn Newton doing her best to channel Helena Bonham Carter as a teenager. The film tries exceedingly hard to be gothy, macabre, hip and rebellious but only succeeds on the most superficial levels. When Lisa transforms from nearly mute, socially awkward introvert to school hottie, it’s like Hot Topic did her makeover. Lisa Frankenstein is like its reanimated creature, with parts cobbled from various sources and none of them stitching together very neatly. There’s the Frankenstein story created by Mary Shelley, there’s a Mean Girls thread, an angsty teen suicide angle, a family drama, a slasher comedy – and those are just the major limbs.

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WEEK IN WOMEN: Zelda Williams’ LISA FRANKENSTEIN opens for Valentine’s Day – Brandy McDonnell reports

Focus Features plans to release the eagerly awaited horror-comedy Lisa Frankenstein, the feature film directorial debut for Zelda Williams, just in time for Valentine’s Day. Set in 1989, the highly anticipated film is billed as a “coming-of-rage love story” about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances brings him back to life, the two embark on a murderous journey to find love, happiness – and a few missing body parts along the way.

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GUNPOWDER MILKSHAKE – Review by Leslie Combemale

Gunpower Milkshake is proof that you can have five talented, compelling actors acting the hell out of themselves and it still won’t make up for a one-dimensional derivative script. I’d still crawl through teargas to see Karen Gillan, Lena Headey, Angela Bassett, Michelle Yeoh, and Carla Gugino in an assassin sisterhood, but it’s a real disappointment they didn’t have a script that could leverage their combined star power and thespian skill.

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AWFJ Movie of the Week, May 25-31: SAN ANDREAS

Opening May 22, AWFJ’s Movie of the Week is Tomorrowland, this summer’s big-budget disaster extravaganza from director Brad Peyton, starring Dwayne Johnson as a helicopter pilot struggling to reach his daughter after a massive earthquake devastates California. Read on…

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