CARMILLA – Review by Alexandra Heller-Nicholas

Born in the pages of Sheridan Le Fanu’s 1871 novella Carmilla, the iconic lesbian vampire that grants his tale its title has had a rich, complex and enduring life on screen that shows little sign of losing its appeal to both audiences and filmmakers. The most recent version is Emily Harris’, whose canny reimagining shifts many of the superfluous male characters in the original to the background.

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