Carolina González Valencia

Every film festival offers a mixed bag of cinematic selections, and the 23rd True/False Film Festival in Columbia, Missouri, March 5-8, was no exception. Devastatingly tragic narratives alternated with heartening success stories pitted against formidable foes. Over four days, attendees choose among 35 new feature films and 25 short films presented in 114 screenings at seven venues, among them the 1928 pre-Depression Missouri Theatre on the National Register of Historic Places. Many of the most rewarding experiences come in the 100 post-film discussions offering stimulating insights into and background for the just-screened work. Three women directors’ films led my list of exemplary documentaries.