ROMERIA – Review by Sarah Ward

Carla Simón has done it again — made a marvel of a movie, that is, and one so teeming with insight and spirit that its personal ties are always evident, as was the case with both Summer 1993 and Alcarràs. The Spanish writer/director may prefer to stay in semi-autobiographical territory again with the richly evocative and resonant Romería; however, as she keeps amassing a resume enviable for its intimacy and intelligence, her work is no less affecting for fictionalising some of the specifics.

Read more

THE END OF IT (Cannes 2026) – Review by Diane Carson

The End of It confronts immortality. Claire Fort has a serious problem. On the occasion of her 250th birthday, she is fed up with immortality, even though she holds one of the select designated spots in that distinguished category of those who will not die. But now, clearly despondent, Claire (Rebecca Hall) reluctantly greets her boring friends, so predictably repetitive that she knows they will inevitably throw her into the swimming pool to celebrate, yet again, another year. With this daring premise, writer/director Maria Martínez Bayona tackles a controversial contemporary issue: the desire for and scientific strategies to extend life.

Read more

Maria Martínez Bayona talks THE END OF IT (Cannes 2026) – Jennifer Green interviews

For a young Spanish director to make her first feature film in English with a Euros 8 million ($9.4m) budget—more than double the Spanish average—and with internationally renowned actors like Rebecca Hall, Noomi Rapace, Gael García Bernal and Beanie Feldstein is unusual. For her film to be invited to premiere at the Cannes Film Festival is even more out of the ordinary.

Read more

FORASTERA (TIFF 2025) – Review by Valerie Kalfrin

A teenage girl steps into her late grandmother’s dresses and quietly takes on helping her grandfather with grief in the subtle drama Forastera. The film is at times too subtle for its own good. Its pacing lags over an hour and 37 minutes, and the ambiguity meant to blur Cata with her grandmother keeps viewers from understanding its young protagonist better, sapping its emotional impact. People grieve in different ways, but Cata’s seems to hold her away from us when it should draw us closer.

Read more

CLOSE YOUR EYES – Review by Diane Carson

In Close Your Eyes, Spanish director Víctor Erice poses a tantalizing mystery for his central character and his audience. As veteran filmmaker Miguel Garay’s production of the appropriately titled The Farewell Gaze progresses, his close friend and lead actor Julio Arenas disappears without any warning, clues, or reason.

Read more