DAYS OF THE WHALE – Review by Diane Carson

Medellín, Colombia. Drug trafficking and the violence accompanying it dominate news and film coverage connected with Colombia. What a breath of fresh air, then, to watch writer/director Catalina Arroyave’s Days of the Whale situated firmly in the Colombian middle class, though control of the streets through intimidation and retaliation ominously limits the freedom of graffiti artists Cris and Simón.

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