CATCH THE WIND – Review by Marilyn Ferdinand

The primacy of the nuclear family in Western societies almost guarantees that when children mature and start their own lives, their parents will have fewer opportunities for meaningful contact with anyone. French writer-director Gaël Morel Morel’s Catch the Wind brings the loneliness of its central character, 45-year-old widow Edith Clarvel (Sandrine Bonnaire), into sharp focus as she is faced with the possibility of becoming unemployed.

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