MOVIE OF THE WEEK November 15, 2019: ATLANTICS

Dreamy and full of unexpected twists, Mati Diop’s narrative debut Atlantics — Grand Jury Prize winner at the 2019 Cannes Film Festival — is simultaneously a tender tale of star-crossed lovers, an eerie ghost story, and a gritty procedural. That unusual combination keeps it surprising and engaging throughout and underlines writer/director Diop’s notable talent.

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MOVIE OF THE WEEK November 8, 2019 – HONEY BOY

Part coming-of-age drama, part father-son story, and part therapy, “Honey Boy” is a compelling take on actor Shia LaBeouf’s troubled childhood and controversial behavior as a Hollywood star. Working from LaBeouf’s own script, director Alma Har’el builds sympathy for both LaBeouf and his father without excusing either for their actions.

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MOVIE OF THE WEEK November 1, 2019: PARADISE HILLS

Alice Waddington’s lush, imaginative directorial debut builds such a convincing dystopian world that you’d be forgiven for assuming it must be based on some intricate, “Hunger Games”-like series of YA novels. But Brian DeLeeuw and Nacho Vigalondo’s tale of privileged young women at a very unusual “finishing school” called Paradise Hills is a true original.

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MOVIE OF THE WEEK October 25, 2019: SERENDIPITY

Thoughtful, contemplative, and deeply personal, French artist Prune Nourry’s documentary “Serendipity” is an intimate glimpse inside the mind of a woman coping with the unexpected. Blindsided by a breast cancer diagnosis at age 31, Nourry channels her anger and fear over her health into art, documenting her treatment, her feelings, and the profound changes her body goes through.

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MOVIE OF THE WEEK October 18, 2019: #FemalePleasure

In a world that has more resonance with The Handmaid’s Tale than anyone should be comfortable with, it’s sadly not surprising that women everywhere are still fighting for their right to be sexual beings. Barbara Miller’s empowering documentary “#FemalePleasure” shows us why that fight is so important — and how it connects women across distances both geographical and cultural.

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MOVIE OF THE WEEK October 11, 2019: DILILI IN PARIS

Michel Ocelot’s Dilili in Paris isn’t your standard animated kids’ fare — not by a long shot. And that’s a good thing. With its sophisticated Belle Epoque setting and parade of cultural and artistic figures and references, it’s almost like taking a trip to a colorful, informative, interactive museum. Which is somewhat apropos, given that we first meet young Dilili (voiced by Prunelle Charles-Ambron) when she’s participating in a living cultural exhibit of the Kanak people.

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MOVIE OF THE WEEK October 4, 2010: ANTHROPOCENE: THE HUMAN EPOCH

Chronicling human impact on Earth’s geology, Anthropocene: The Human Epoch is essential viewing. If our species survives the human epoch, our descendants may well look upon this film as we and our forebears consider the Bible as of record for ancient historic events that shaped our knowledge of our cultural and political roots as well as our understanding of our spirituality.

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MOVIE OF THE WEEK September 27, 2019: RIOT GIRLS

Scrappy and full of style, “Riot Girls” is a memorable first feature from director Jovanka Vuckovic, who shoots for cult-movie status with her story of warring teen factions in an alternate 1995 ravaged by a disease that’s wiped out everyone past the age of pimples and angst.

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MOVIE OF THE WEEK September 20, 2019: EDIE

Fully embracing the idea that it’s never too late to follow a dream or try something new, Edie introduces us to a tenacious octogenarian who refuses to close the book on her life without — literally — climbing one last mountain. Sheila Hancock delivers a compelling lead performance as the titular Edie in director Simon Hunter’s poignant British dramedy about life, aging, friendship, and regret.

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MOVIE OF THE WEEK September 13, 2019: ANGEL OF MINE

Moody and atmospheric, Kim Farrant’s Angel of Mine is part psychodrama, part thriller. Thanks to Farrant’s strong storytelling and confidently convincing performances from stars Noomi Rapace and Yvonne Strahovski, the film brings depth and nuance to its compelling tale of a woman convinced that her long-dead baby is actually alive and being raised by another family.

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