THE STUDIO – Review by Susan Granger

Ever wanted to sneak behind-closed-doors and see what propels the Hollywood Dream Machine? That’s what happens in the cameo-cluttered, 10-episode satire The Studio, skewering the perennial Art-vs-Commerce dilemma. When delusional dreamer Matt Remick (co-creator Seth Rogen) becomes the head of Continental Studios , he’s told by CEO Griffin Mill (Bryan Cranston) that his job is to make IP-driven movies that will succeed at the box-office, not “artsy-fartsy films.” Problem is: pretentious cinephile Matt thinks he can do both

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THE WILD ROBOT – Review by Susan Granger

When a storm at sea dislodges a shipping container from a cargo ship, a large box washes ashore on a faraway island inhabited only by animals. Battered and bruised but incredibly resilient, the sole occupant of the box is a Rozzum 7134 android assistant (voiced by Lupita Nyong’o) that can walk, talk, assimilate information and help around the house. She’s designed to serve. Confused about her kindly nature, the animals (beavers, possums, porcupines, deer, bears) view Roz as a monster and try to kill her – until by accident she accidentally crushes all but one goose egg in a nest.

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THE WILD ROBOT – Review by Susan Kamyab

While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.

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BEETLEJUICE BEETLEJUICE – Review by Valerie Kalfrin

To enter the underworld, we learned from the original Beetlejuice, you need to draw a door. In the new film Beetlejuice Beetlejuice, Michael Keaton’s maniacally mischievous demon draws a cartoonish bomb complete with a long fuse, all the better to blow us away. Twenty-six years after Keaton and director Tim Burton introduced this madcap “ghost with the most,” an underworld rogue who claimed he could scare away the living, the two have reunited for a sequel stuffed with macabre humor, immersive world-building, and eye-popping (and sometimes gut-spilling) special effects, costumes, and makeup.

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THE WILD ROBOT – Review by T.J. Callahan

What would an intelligent robot do in the wilderness? Find out in DreamWorks’ computer animated sci-fi adventure, The Wild Robot, based on the New York Times bestselling children’s book series by Peter Brown. We get to know Roz (ROZZUM unit 7134) after the utilitarian android is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings while building relationships with the variety of animals living there plus taking care of an orphaned baby goose. It’s Castaway meets Wall-E meets Migration.

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THE WILD ROBOT – Review by Valerie Kalfrin

I’ve long had a weakness for robots that burst with personality, from R2-D2 to The Iron Giant to WALL-E. The Wild Robot, while not as transcendent as 2008’s WALL-E, is nevertheless a gorgeous and gratifying animated film about discovering where you fit. Through a robot that experiences empathy, it encourages an audience’s compassion, celebrating kindness as a survival skill.

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THE WILD ROBOT (TIFF 2024) – Review by Nadine Whitney

Adapted from the beloved grade school illustrated novel by Peter Brown, Chris Sanders’ The Wild Robot is an enchanting fable about purpose, identity, kindness as a way to survive. The Wild Robot is an adventure story about unlikely heroes, but more than that it’s a story about motherhood and ‘instinct’ – or programming. The Wild Robot is a superb film that is richly layered rewarding viewers of all ages.

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BEETLEJUICE BEETLEJUICE – Review by T.J. Callahan

Hey all you ghouls and flesh bags, welcome to Nostalgia Theatre. It’s been 36 years since The Juice was loose and he’s finally ready to reanimate to save himself and the Netherworld in the sequel to Beetlejuice. It’s called Beetlejuice Beetlejuice, you know, for Beetlejuice 2. Are ya hip? Or is your’s missing? While there are some good gags, with the best being as the credits roll, it can’t compare to its classic counterpart, which, by the way, if you haven’t seen you’ll be lost in the new one.

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BEETLEJUICE BEETLEJUICE – Review by Susan Kamyab

Beetlejuice is back! The original film was released in 1988 and now Michael Keaton returns to reprise his iconic role. Surprisingly, the sequel is better than the first movie. I recently rewatched the original, which I loved as a kid, and it didn’t quite hold up and should not have been rated PG. Beetlejuice Beetlejuice is appropriately rated PG-13, and it has an engaging fun story from the start.

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BEETLEJUICE BEETLEJUICE – Review by Nadine Whitney

Tim Burton hits a lot of familiar beats in his much belated sequel to his classic 1998 film. Michael Keaton has lost none of his vigour as Beetlejuice, but the character is less interesting the second time around. Catherine O’Hara’s Delia is the scene stealer. In terms of long-gestating legacy sequels there have certainly been worse examples, and there have been far better. It’s one of Tim Burton’s more successful recent efforts. Beetlejuice Beetlejuice has enough colour, flair, and humour to make it enjoyable, but it’s not a pinch on the original.

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