WEEK IN WOMEN: Victoria Mahoney to direct THE OLD GUARD sequel – Brandy McDonnell reports

Victoria Mahoney is directing the sequel to Netflix’s 2020 hit action film The Old Guard. Mahoney will take the helm of the follow-up from Gina Prince-Bythewood, who broke Netflix records with The Old Guard.

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F9: THE FAST SAGA – Review by Susan Granger

Originally released 20 years ago as a supercharged B-movie about street racing, starring Paul Walker and Vin Diesel, the gritty Fast and Furious franchise has continued to flourish – “a quarter mile at a time,” as Dominic Toretto would say. Thinly scripted by Daniel Casey, Alfredo Botello and director Justin Lin, this ninth installment revolves around generic Toretto sibling angst, punctuated by preposterous, over-the-top, physics-defying stunts and the sound of purring engines, squealing tires and skidding stops.

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F9: THE FAST SAGA – Review by Leslie Combemale

F9: The Fast Saga is truly the most ridiculous movie I’ve ever seen. There were times when I was rolling my eyes so hard I feared they’d roll right out of their sockets. A scene where two dudes get shot into outer space in a souped-up car wearing vintage diving dress comes to mind. It is, however, a film that features not one or two, but six smart, independent women in positions of power, who can fight as hard and well as the men do. They need no rescuing. In fact, in F9 they often take control of the situation.

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THE OLD GUARD – Review by MaryAnn Johanson

For the first time this summer, I’m not missing all the big loud comic-book movies we’re being bombarded with in an alt-timeline. I like those movies, but they do tend to dominate the pop-culture conversation. With them off the radar this year, there’s room to breathe for a fantastic little pulp comic-book movie like The Old Guard.

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MOVIE OF THE WEEK July 10, 2020: THE OLD GUARD

Anyone who enjoys watching Charlize Theron kick ass is going to get a kick out of The Old Guard, director Gina Prince-Bythewood’s adaptation of Greg Rucka’s graphic novels about a squad of immortal mercenaries who fight for the good of humanity. Not only is it full of popcorn action, but it raises interesting questions about duty, loyalty, and chosen families.

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Gina Prince-Bythewood: Action=Story+Emotion in THE OLD GUARD – Leslie Combemale interviews

Gina Prince-Bythewood’s The Old Guard brings a new level of diverse representation to the sci-fi action genre, and a sense of authenticity that comes from action that’s so strongly based in characterization and character motivation.

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THE OLD GUARD – Review by Susan Wloszczyna

As superhero action movies based on a series of comic books go, Netflix’s The Old Guard manages to spin a few new tricks on an overdone genre as it takes its cues from Peter Parker’s motto, “With great power comes great responsibility,” but with a twist at its center. The main quartet of crusaders vanquishing evil in this adventure are centuries-old immortal mercenaries who have the ability to magically heal their own wounds and live to see many more days of do-gooding.

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THE OLD GUARD – Review by Nikki Baughan

In the hands of director Gina Prince-Bythewood, The Old Guard is a far more subtle and introspective superhero movie than we’re used to seeing. That may have something to do with the fact that it’s a straight-to-streaming Netflix original, but its focus on the emotional and physical toll of saving the world offers a welcome change from the consequence-free carnage that usually heralds the arrival of the summer blockbuster season.

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BOMBSHELL – Review by Brandy McDonnell

Directed by Jay Roach (HBO’s “Game Change”), there’s a cheeky playfulness to the film that’s unneeded, borderline offensive and counterintuitive. Even the movie’s title seems to winkingly marvel that a group of beautiful blondes – which was basically a requirement for a woman working at Fox News – brought down Ailes, undermining both what they suffered in his allegedly toxic workplace and what they risked in speaking out.

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