CANNES 2026 Film Festival Jury – Diane Carson reports

Asked by moderator Didier Allouch their reactions upon receiving the call inviting them to serve on this year’s jury, to a person each of the jurors expressed their delight at the honor. U.K. writer Paul Laverty said he immediately wondered if it was a hoax, his three sons “up to some mischief.” Director/writer Chloé Zhao described the upcoming days as a master class with those whose work she admired. Ethiopian/Irish actress Ruth Negga said, “My heart skipped a beat. This feels like poetry . . . the honor and privilege of a lifetime with such extraordinary artists.” American actress Demi Moore reiterated feeling “tremendously honored.” With amusement, Swedish actor Stellan Skarsgård’s commented, “Finally. I’m so relieved I didn’t die first.” Concluding this round, Park Chan-wook humbly wondered if he was up to the task.

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HAMNET – Review by Valerie Kalfrin

The poignant drama Hamnet opens on two trees standing tall and steady, a slow pan revealing their interconnected roots. Grief and memory, compassion and resilience braid throughout this tender film, forging a family’s intimate heartbreak into something universal and layered. Directed by Oscar-winner Chloé Zhao (Nomadland), Hamnet adapts Irish novelist Maggie O’Farrell’s 2020 novel of the same name dramatizing the family life of William Shakespeare and his wife, Agnes. Their son, Hamnet, died at age eleven, and both the book and the film connect that shattering loss to the writing of Shakespeare’s famous tragedy, Hamlet, a name used interchangeably with Hamnet at the time.

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WEEK IN WOMEN: Sundance Film Fest 2026 honors Zhao, DaCosta and Gandbhir – Brandy McDonnell reports

Chloé Zhao, Nia DaCosta and Geeta Gandbhir will be honored at the 2026 Sundance Film Festival’s annual fundraiser, “Celebrating Sundance Institute: A Tribute to Founder Robert Redford,” set for Jan. 23 in Utah. Zhao will receive the annual Trailblazer Award Presented by Google, DaCosta will be presented with the annual Vanguard Award Presented by Acura for Fiction, and Gandbhir will receive the annual Vanguard Award Presented by Acura for Nonfiction.

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HAMNET – Review by Diane Carson

In Hamnet, director Chloé Zhao fictionalizes both birth and death in the Bard of Avon’s early days, imagining the death of William Shakespeare’s young son Hamnet as the catalyst for the play Hamlet. Blending delirious joy and heartbreaking grief, Zhao dramatizes the volatile collision of ecstasy with anguish. Co-writing the screenplay with Zhao, adapting her 2020 novel, Maggie O’Farrell explores Elizabethan England’s class dictates clashing with efforts to support a family. As William’s wife Agnes, Jessie Buckley compellingly humanizes a woman transitioning from a seductively feisty woman to a loving wife, from excruciating births to mounting resentment, from insufferable loss to shared understanding. Buckley delivers a tour-de-force performance matched by Paul Mescal as Shakespeare.

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HAMNET – Review by Susan Granger

Oscar-winning director Chloe Zhao (Nomadland) scores again with Hamnet, adapted with Maggie O’Farrell from her 2020 heart-wrenching novel, a historical fantasy about the trials and tribulations that indelibly marked the marriage of Anne Hathaway and William Shakespeare. Zhao’s lyrical visual language permeates the drama, beautifully chronicled by Polish cinematographer Lukasz Zal (The Zone of Interest) with stunning sets by production designer Fiona Crombie and Max Richter’s evocative score. Since London’s rebuilt Globe Theater is ornate, Zhao’s version looks like the inside of a tree.

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HAMNET (Middleburg FF 2025) – Review by Leslie Combemale

The hardest thing in the world is to lose a child and still choose to live with your heart open. That’s at the center of director and co-screenwriter Chloé Zhao’s Hamnet, and with it comes considerations of the cycle of life and death, the natural and the supernatural, the divine feminine, and the alchemy of turning pain into art. Watching the film feels transformative, although for viewers it requires, as said in the film, keeping your heart open, even as parts of that experience are viscerally and emotionally wrenching, parts of transcendent.

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WEEK IN WOMEN: 50+ Femme-helmed movies at TIFF 2025 – Brandy McDonnell reports

Directorial debuts from Scarlett Johansson, Shu Qi, Maude Apatow and Alice Winocour, the latest films from Academy Award winners Chloé Zhao and Laura Poitras, and new movies from Oscar nominee Agnieszka Holland, Nia DaCosta, Isabel Coixet, Claire Denis and more are on the high-profile slate for the 50th anniversary Toronto International Film Festival in September.

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FALL FESTIVAL PREVIEW 2025 – Christina Jeurling Birro reports

Bigelow’s back, Zhao tackles Shakespeare, and More as the fall film festivals unveil their lineups. The fall film festival season kicks off on the Lido in Venice in less than a month, then rolls on from the mountains of Telluride to Toronto, and beyond. This year promises a strong showing from female directors across many lineups. Here are just a few of the exciting films to keep your eyes on!

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WEEK IN WOMEN: Focus to release Chloe Zhao’s adaptation of HAMNET – Brandy McDonnell reports

Looking ahead to highly anticipated projects expected in 2025: Focus Features is releasing Hamnet, the latest film from Oscar-winning filmmaker Chloé Zhao, in the United States. The film is adapted from Irish writer Maggie O’Farrell’s 2020 New York Times bestselling novel of the same name, which won a National Book Critics Circle Award and the Women’s Prize for Fiction. Hamnet has sold 2 million copies in the U.K. and U.S. and has been translated in to 40 languages. In the bestseller, O’Farrell, who was born in Northern Ireland, fictionalized the life of William Shakespeare and his son, Hamnet, who died at a young age.

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