ETERNALS – Review by Karen Peterson

Myth, legend, and theology come together like they never have before in Marvel’s newest entry, Eternals. Academy Award-winning director Chloé Zhao brings her intimate, personal style of storytelling to cinema’s most sprawling universe, introducing new characters and new ideas to the familiar franchise. Despite the action and the visual effects, there’s little to remind us that this is a Marvel movie. it serves as a curious addition to the collection and an exciting peek into the future of the franchise. It is a future more reflective of the world we live in, with grander ideas and new types of storytelling.

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WEEK IN WOMEN: Women achieve historic wins at 2021 Academy Awards – Brandy McDonnell reports

At the 2021 Academy Awards ceremonies, women earned a record 17 trophies, the most in Oscar history. Considering the ceremony awarded 30 male winners, that means women received 36% of the statuettes awarded in the 23 competitive categories. Compare that to 2020, when a third of the 39 winners were women, and 2019, when 15 of the 54 winners were women, which is 27.8%.

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WOMEN MAKE HISTORICAL ADVANCES IN THE 2021 OSCAR RACE – Susan Granger reports

History was made when the Oscar nominations were released for the Best Director category. Only five women have ever been nominated before. This year, Chloe Zhao was chosen for her elegiac road-trip drama “Nomadland,” along with first-time feature-filmmaker Emerald Fennel for her #MeToo revenge comedy “Promising Young Woman.” Chloe Zhao, the first woman of color nominated for Best Director, is the most nominated woman in a single year in Oscar history, since she’s also competing as Best Picture producer, along with Adapted Screenplay and Editing. That’s a record-breaking four nominations in a single year.

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WEEK IN WOMEN: Fennell and Zhao make AMPAS history – Brandy McDonnell reports

Nomadland‘s Chloe Zhao and Promising Young Woman‘s Emerald Fennell are now part of Academy Awards history. For the first time, the Academy of Motion Picture Arts and Sciences has nominated two women in the directing category, with Zhao and Fennell picking up nods in the coveted category.

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Jessica Bruder and Bob Wells on NOMADLAND – Sandie Angulo Chen interviews

Knowing the fascinating backstory of Chloe Zhao’s Nomadland gives audiences additional appreciation of this film’s unique style and universal appeal. Sandie Angulo Chen get the inside scoop from two of the film’s backstory principals, Jessica Bruder who wrote the book behind the adapted script and Bob Wells, a Nomad clan leader who added his own unique voice to the screenplay. Both were mentioned by Chloe Zhao in her Golden Globes acceptance speech. Sandie Angulo Chen chats with Bruder and Wells for their take on Nomadland.

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NOMADLAND – Review by Martha K Baker

Anyone who saw director Chloé Zhao’s impressive film, The Rider, expects her imprint to embellish, her choices to be signatory. Zhao’s screenplay, although based on Jessica Bruder’s eye-opening exposé about the lives of older, rootless workers, skews Bruder’s emphasis to Zhao’s. Like The Rider, Nomadland amalgamates documentary with narrative forms of film.

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WEEK IN WOMEN: Gotham Awards Best Feature Noms All from Women Directors – Brandy McDonnell reports

The Independent Filmmaker Project has announced the nominees for the 30th Annual IFP Gotham Awards, and this is the first time that all five nominated films in the best feature category are from women directors: The Assistant from Kitty Green, First Cow from Kelly Reichardt, Never Rarely Sometimes Always from Eliza Hittman, Nomadland from Chloé Zhao and Relic from Natalie Erika James.

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WEEK IN WOMEN: Chloe Zhao’s NOMADLAND Update – Brandy McDonnell reports

Chloé Zhao’s acclaimed drama Nomadland, starring Oscar winner Frances McDormand, made its NY premiere on September 26 as the Centerpiece film at the 58th New York Film Festival, Earlier this month, the film was lauded with the Golden Lion this year at the 77th Venice International Film Festival and awarded the Grolsch People’s Choice Award at the 45th Toronto International Film Festival. It is the first film to hold both honors.

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