Chris O’Dowd

Eventually everyone gains expert status on loss. If you think you’re immune, you aren’t. This is something director Theodore Melfi banks on with his new film The Starling a dramedy in which parents Lilly and Jack Maynard are grappling with grief from losing their baby daughter Katie to SIDS. The Starling works the extended metaphor of Lilly’s inability to control a bird in her garden that repeatedly attacks her while protecting its nest as a reference reference the grieving parents’ inability to deal with their sadness. The film works and reworks that metaphor and others to such an exhaustive degree that it might as well be the audience members getting dive-bombed à la Tippy Hedren in The Birds.