WEEK IN WOMEN: BBC Survey Shows Women Are Left Out of Cinema History — Brandy McDonnell reports

According to the BBC, 209 critics sent in their 10 greatest foreign-language films for the poll. Of these respondents, 94 were women – that’s 45 percent – yet there are only four female directors with titles in the top 100: Chantal Akerman (Jeanne Dielman, 23 Commerce Quay, 1080 Brussels), Claire Denis (“Beau Travail), Agnès Varda (Cleo from 5 to 7), and Katia Lund (co-director of City of God).

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NYFF18: Just 4 Out of 30 Main Slate Films are Female-Directed – Melissa Hanson reports (Guest Post)

In 2017, New York Film Festival (NYFF) announced that its main slate lineup featured the most female-directed films in 10 years. This year it’s back below average with just four female-directed films in the lineup of 30. NYFF has made no mention of an equality pledge, nor commented on the inclusion rider circulating in Hollywood, and it shows.

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WEEK IN WOMEN: Claire Denis’ HIGH LIFE Acquired by A24 – Brandy McDonnell reports

French filmmaker Claire Denis’ long-awaited English-language debut “High Life” is coming to theaters. A24 has acquired North American distribution rights to the Beau Travail helmer’s new sci-fi drama, which recently made its world premiere at the Toronto Film Festival. The distribution deal is reportedly in the low seven figures.

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TIFF18 Review: High Life – Alexandra Heller-Nicholas

With all the spectacular SFX majesty that has dominated the representation of space across the science fiction genre, that Claire Denis’s High Life begins less fascinated with its cosmic surroundings than the ‘spectacle’ of a single working dad sets the tone in many ways for her first English-language feature.

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MOVIE OF THE WEEK April 27, 2018: LET THE SUNSHINE IN

motw logo 1-35Claire Denis’ romantic dramedy Let the Sunshine In stars Juliette Binoche as Isabelle, a smart, sophisticated Parisian artist and divorcee who’s only missing one thing in her life: true love. She meets plenty of men who want to sleep with her, but there’s something off about all of them; some are married, some are too full of themselves to be able to properly nurture a partner, some are exes who should clearly stay that way.

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AWFJ Women On Film – 2010 EDA Awards Winners

Black Swan, The Kids Are All Right, The Social Network and Winter’s Bone score multiple 2010 EDA Awards, and there

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