THE BANSHEES OF INISHERIN – Review by Jennifer Green

Categorized as a “musical or comedy,” Banshees is indeed laugh-out-loud funny at some of its more absurd moments. But it’s a dark humor that can almost make you feel bad about laughing once you realize just how tragic the characters and events director Martin McDonagh has scripted are. Their horizons are as limited as the view from their island, where an endlessly overcast sky vanishes into a grey sea.

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THE BANSHEES OF INISHERIN – Review by Susan Granger

Golden Globes nominees Colin Farrell and Brendan Gleeson deliver memorable performances in The Banshees of Inisherin but whether you want to spend two hours in their company on an isolated island off the coast of Ireland is purely a matter of choice. Set in 1923, this tragicomedy follows the fractured friendship of amiable Padraic Suilleabhain (Colin Farrell) and stolid Colm Doherty (Brendan Gleeson). Accustomed to meeting every afternoon for a pint of stout at the local pub, Padraic cannot understand why Colm now refuses to join him there – or even engage in conversation.

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THE BANSHEES OF INISHERIN – Review by Diane Carson

Writer/director Martin McDonagh engages head on and provocatively with confrontational characters battling anger management issues He again grabs the tiger by the tail, isolating his characters on a fictional island off Ireland’s northern coast in 1923. Best of friends, Colm Doherty and Padraic Súilleabháin head to the local, and only, pub for their pints and extended conversation every day. But this isn’t an ordinary afternoon, and friction ensues immediately.

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THE BANSHEES OF INISHERIN – Review by Rachel West

Martin McDonagh delivers a perfect take on male friendship in his latest tragi-comic tale, The Banshees of Inisherin. Following his Oscar-winning film Three Billboards Outside Ebbing, Missouri (2018), the writer-director reunites with his In Bruges (2008) powerhouse duo Brendan Gleeson and Colin Farrell for a story that will have all three men vying for Academy Awards. Their chemistry and sheer dynamism on screen make Farrell and Gleeson’s performances not just the best of the year, but perhaps, the best of their lengthy careers.

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THIRTEEN LIVES – Review by Susan Granger

On June 23, 2018, twelve soccer players and their coach became trapped in the Tham Luang Nang Non cave in northern Thailand. In Thirteen Lives, director Ron Howard details how they were rescued. While the boys (ages 10 to 16) and their 25 year-old coach were exploring deep into the massive cavern system, heavy rains of the monsoon season began to fall, flooding the exit and stranding them inside.

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THIRTEEN LIVES – Review by Diane Carson

Director Ron Howard’s Thirteen Lives impressively dramatizes actual events from 2018, an equally terrifying and inspiring, seemingly impossible rescue mission. Even knowing the outcome for the twelve Thai Wild Boar soccer boys and their coach as they enter the Tham Luang Cave in Thailand’s northern Chiang Rai Province, a palpable chill takes over as monsoon storms unleash torrents of rain.

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THIRTEEN LIVES – Review by T. J. Callahan

Director, Ron Howard and a star studded cast team up to tell the harrowing story of the soccer team that got trapped in a Thailand cave on June 23rd, 2018. A disaster seen around the world, Thirteen Lives, at 2 1⁄2 hours, gives us a day by day, hour by hour, and minute by minute account from the time the Wild Boars entered the Tham Luang cave system until the last one was pulled to safety after unexpected monsoon rains flooded the cavity and left the boys and their coach stranded for 18 days.

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THE BATMAN – Review by Susan Granger

Matt Reeves’ The Batman is a brooding, noir’ish interpretation of the DC Comics superhero, focusing for almost three hours on a sorrowful, conflicted Dark Knight, haunted by serious psychological issues involving his late father. Working with cinematographer Greig Fraser and production designer James Chinlund, director/writer Matt Reeves bathes the film in a bleak, inky blackness, enhanced by Michael Giacchino’s symphonic score.

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THE BATMAN – Review by T. J. Callahan

The Batman is set 20 years after the murder of young Bruce Wayne’s parents. It’s Halloween and Gotham’s “on the take” political leaders are being killed by the sadistic Riddler…forcing Batman to scrutinize the city’s corruption and the Wayne family’s possible involvement. The Batman is a throwback private eye film and a psychological thriller. It’s more True Detective and less Super Hero.

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VOYAGERS – Review by Susan Granger

Prolific Neil Burger (Divergent, Limitless) wrote and directed this YA sci-fi thriller that imagines a dystopian future in 2063, when Earthlings only hope for the survival of the human species is to colonize a hospitable planet located in a faraway galaxy. It will take 86 years for a crew to go that distance, so 30 test-tube-conceived youngsters are dispatched on a mission during which they’ll reproduce so their grandchildren can settle Earth’s new colony.

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