OVER/UNDER – Review by Valerie Kalfrin

Over/Under , the second feature from Sophia Silver, is a jewel box of a film. Like the glass jar its characters use to catch “morning moths” to hear their whispered wishes, it captures something precious and delicate about childhood friendships and the awkward cruelties of adolescence. You might not have ever caught morning moths or heard of such a ritual. Maybe you never spent every summer on the New England beaches, either. You’ll recognize these girls and their growing pains all the same. In its tender way, ​​Over/Under makes the case for protecting female friendships in all their vulnerability. Like those moths, good ones are rare, fragile, and something to cherish throughout life’s waves​.

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HOT GIRL SUMMER – Review by April Neale

Growing up is hard to do, and Hot Girl Summer is a familiar coming-of-age story with fresh faces and a distinctly female perspective. Director Martina Plura’s reimagining of the 2001 cult hit Mädchen, Mädchen follows teenage best friends as they make an earnest pact to solve what they see as their biggest dilemma before summer ends: none of them has ever experienced an orgasm. Ultimately, Hot Girl Summer argues that climaxing isn’t the finish line these young women imagine it to be. Finding your voice, advocating for your own happiness, and building relationships rooted in honesty and respect prove to be the real milestones. Funny, charming, and unexpectedly thoughtful, Martina Plura’s film delivers an empowering coming-of-age story that places young women’s experiences squarely at the center of the conversation.

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ESCAPING OHIO – Review by Valerie Kalfrin

So many coming-of-age films focus on high school hijinks, with conflicts around cliques, first loves, and independence tied to grand gestures and deep emotions. Yet as the deceptively simple and endearing teen drama Escaping Ohio wisely observes, every great chapter must end for another to begin. Jessica Michael Davis, who also co-wrote the script and co-stars with Collin Kelly-Sordelet, makes her feature directing debut here, Escaping Ohio is an auspicious debut, a sensitive, mature, and empowering take on facing one’s fears and learning the right option is sometimes what’s good enough for the moment.

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MOVIE OF THE WEEK September 13, 2024: GIRLS WILL BE GIRLS

Girls Will Be Girls isn’t the first movie to tackle the complexities of growing up, and it certainly won’t be the last. But writer/director Shuchi Talati approaches the ultra-relatable subject matter with such a delicate touch that it makes her story of a teen coming of age in 1990s India feel fresh and new. Simultaneously, it comments thoughtfully on the policing of girls and women who dare to flout convention and express themselves.

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GIRLS WILL BE GIRLS – Review by Jennifer Merin

Girls will be Girls is Indian director Shuchi Talati’s narrative feature about Mira, a smart but naive teenage girl who is trying to figure out what being a woman is all about. The film follows the tremendous turmoil in the emotional life of this ‘everygirl’ as she tries to balance the expectations everyone has for her with her own curiosity and eagerness to explore her body and understand the role she is to play as she enters adulthood. There’s good story aplenty here and the performances are excellent  — and, although the film is Indian in origin and reflects Indian culture, Girls will be Girls is universally relatable.

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MOVIE OF THE WEEK February 2, 2024: FITTING IN

It’s unusual (and therefore always appreciated) to see teens portrayed authentically in the movies. Too often, the slang is all wrong, the references are outdated, and the situations are enough to make a real-life teen roll their eyes hard. That’s a significant part of why Molly McGlynn’s empathetic drama Fitting In succeeds: As it tells the story of high schooler Lindy (Maddie Ziegler) and her journey to accepting the differences that set her apart from her peers, it always feels real.

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FITTING IN – Review by Loren King

Fitting In is about 16 year-old Lindy (Maddie Zeigler) as she navigates the rough waters of sex, gender and body image after she is diagnosed with Mayer-Rokitansky-Küster-Hauser (MRKH) syndrome, a surprisingly not uncommon congenital condition that means she doesn’t menstruate, has a small vaginal canal and no uterus. This fact will be an education to many but there’s nothing clinical about the film which handles its story and characters with both humor and substance.

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FITTING IN – Review by Sherin Nicole

“I’m not normal. You’re not normal.” That line is the battle cry of liberation in Fitting In. Written and directed by Molly McGlynn, this tale of teenaged awakening focuses on the upheaval that detonates when Lindy (Maddie Ziegler) realizes she’s not what society calls “normal.” Played with saucy realness by Ziegler, tentative bravado by Djouliet Amara, and gentle fortitude by Ki Griffin, Fitting In rejoices in dismantling our quests for an idea of normalcy that the government or the guardians or the school board tells us is who we are supposed to be.

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FITTING IN – Review by Leslie Combemale

Wow, what a beautiful, original narrative about navigating life with a female body in a man’s world. There’s no victimhood in writer/director Molly McGlynn’s coming of age dramedy Fitting In, just teens figuring things out and finding a way to prioritize self-acceptance over fitting into a cisgendered society’s expectations. McGlynn has created one of the most female-centric stories I’ve ever seen. The story is of Lindy, who discovers she has MRKH Syndrome, which means she’ll never have a period, has no vaginal canal or uterus, and will never bear children. McGlynn comes by the film’s perspective honestly, having the rare reproductive disorder herself.

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FITTING IN – Review by Cate Marquis

Writer-director Molly McGlynn sensitively handles Lindy’s struggle with her life-changing news, but as serious as this subject is, the director balances the tone by injecting a little gentle humor and adding a bit of information on intersex people and other human variations in sex organs, especially through an intersex character Jax (Ki Griffin). Fitting In follows Lindy’s efforts to find a way to cope, while touching on common real-world issues for teens like feelings about their bodies, fitting in socially, identity struggles, teen-parent communication, and also bullying, gossip, and toxic social media. The result is a teen dramedy that is surprisingly likable, as well as a warm and honest film about a teen finding her own way.

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