TRACES – Review by Amber Wilkinson

Croatia’s Oscar submission is a subtle meditation on past influences in the life of an anthropologist. Anthropologist Ana (Marija Skaricic) is herself studied intensely by Dubravka Turic’s low-key examination of grief and moving on. Though the traces of the title refer directly to Ana’s area of interest – ancient grave inscriptions and rituals – Turic’s debut film is infused with a multitude of additional echoes from the past and whispers from the future. Those willing to fall into step with Turic’s rhythms will find themselves rewarded.

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THE UNCLE – Review by Nadine Whitney

In David Kapac and Andrija Mardešić’s debut feature The Uncle (Stric) almost every day is Christmas, and every day is a living hell. What appears to be the eighties in Yugoslavia with a bickering family readying a Christmas feast for a visiting Uncle (Miki Manojlović) soon arriving from Germany to celebrate with them reveals itself to be something far less cheery than a yearly family get together.

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MURINA – Review by Diane Carson

First time Croatian co-writer/director Antoneta Alamat Kusijanović demonstrates a mature, profound insight into human psychology, male and female, young and middle-aged, in her feature film debut Murina. Set on the Adriatic coast, the family’s Croatian island home isolates seventeen-year-old Julija from the more enticing, liberated lives she observes as party boats visit their blue-water cove and rocky beach.

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MURINA – Review by Jennifer Green

Executive produced by Martin Scorsese and winner of the 2021 Camera d’Or in Cannes for first-time feature director Antoneta Alamat Kusijanović, Murina is a slow-churning, disquieting tale of a young woman’s revelation that her life could have been entirely different than what it is, and her empowerment to change her future.

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