MOVIE OF THE WEEK April 11, 2022: WE’RE ALL GOING TO THE WORLD’S FAIR

Eerie and melancholy, Jane Schoenbrun’s horror-tinged drama We’re All Going to the World’s Fair is both a coming-of-age story and an examination of teens’ use of media and technology. It’s not always easy to watch, but it’s also very hard to look away as main character Casey (Anna Cobb) gets caught up in a creepy online role-playing game whose boundaries and impact are problematic at best and extremely dangerous at worst.

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WE’RE ALL GOING TO THE WORLD’S FAIR – Review by Jennifer Merin

The horror-tinged minimalist psycho-drama. We’re All Going to the World’s Fair, is a first narrative feature from writer/director/editor Jane Schoenbrun, whose commitment to personal, art-driven cinema is evident in this slow burner — in some ways a teenage navel gaze — about a girl named Casey whose life is lived on and for the Internet via a disturbingly disconnecting (and self-destructive) Internet game/community — the name of which is the films title — with which she is obsessed and to which she is very vulnerable.

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